"What It Has Always Been" by Sarah Schachner, Assassin's Creed had its release date on November 4, 2014. The duration of This song is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. What It Has Always Been's duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 21 in Assassin's Creed Unity, Vol. 2 (Original Game Soundtrack) by Sarah Schachner. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. Based on our statistics, What It Has Always Been's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of What It Has Always Been by Sarah Schachner, Assassin's Creed is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| El Goddamn Dorado | Greg Edmonson | D Major | 1 | 10B | 74 BPM | ||
| An Uncertain Present | Lorne Balfe, Assassin's Creed | C Minor | 2 | 5A | 120 BPM | ||
| Running the Frost | Niels van der Leest | D♭ Major | 4 | 3B | 90 BPM | ||
| Bloody Presto con Brio | Austin Wintory, Assassin's Creed | G Major | 5 | 9B | 136 BPM | ||
| Take Your Bow, Knave | Austin Wintory, Assassin's Creed | D♭ Major | 2 | 3B | 115 BPM | ||
| Prosperity and Decay | Elitsa Alexandrova | C Major | 0 | 8B | 80 BPM | ||
| Theme from Assassin's Creed Syndicate Jack the Ripper | Bear McCreary | A Major | 2 | 11B | 120 BPM | ||
| Wither and Ache | Niels van der Leest | F Major | 1 | 7B | 76 BPM | ||
| The Dark | David García Díaz | A Minor | 0 | 8A | 68 BPM | ||
| Lost Lake | Nathan Whitehead | D Major | 4 | 10B | 140 BPM | ||
| Animus | Winifred Phillips | F Major | 2 | 7B | 132 BPM | ||
| Hideout | Jesper Kyd, Assassin's Creed | D Major | 2 | 10B | 96 BPM | ||
| Stay Low | Elitsa Alexandrova, Jesper Kyd, Assassin's Creed | B♭ Major | 5 | 6B | 100 BPM | ||
| Every Secret, a Maze | Oleksa Lozowchuk | F Major | 5 | 7B | 103 BPM | ||
| Leaving for Alamut | Brendan Angelides, Assassin's Creed | D Major | 2 | 10B | 173 BPM | ||
| March of the Awakened | Maclaine Diemer | A Minor | 0 | 8A | 80 BPM | ||
| Plots And Intrigues | P.T. Adamczyk | G Major | 0 | 9B | 81 BPM | ||
| The Long Road Ahead | Brian D'Oliveira | G Major | 1 | 9B | 70 BPM | ||
| Samāʾun Wa Nujūm | Nima Fakhrara, Assassin's Creed, Scott Hedrick, Mehdi Bagheri | D Major | 2 | 10B | 87 BPM | ||
| Liberation Main Theme | Winifred Phillips, Assassin's Creed | E Minor | 8 | 9A | 189 BPM | ||
| Darling, What a Night | Austin Wintory, Assassin's Creed | G Minor | 5 | 6A | 138 BPM | ||
| Drenglynda Skáldið - The Steadfast Skald | Einar Selvik, Assassin's Creed | G Minor | 4 | 6A | 110 BPM | ||
| Mysterious North | Elitsa Alexandrova, Assassin's Creed | D Minor | 2 | 7A | 63 BPM | ||
| To Your Stealth | Chris Tilton | A♭ Minor | 2 | 1A | 125 BPM | ||
| Stealing Sunrise | Brad Derrick | A Minor | 0 | 8A | 63 BPM |