"What It Has Always Been" by Sarah Schachner, Assassin's Creed had its release date on November 4, 2014. The duration of This song is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. What It Has Always Been's duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 21 in Assassin's Creed Unity, Vol. 2 (Original Game Soundtrack) by Sarah Schachner. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. Based on our statistics, What It Has Always Been's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of What It Has Always Been by Sarah Schachner, Assassin's Creed is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Murder of Two | Sarah Schachner, Assassin's Creed | G Major | 5 | 9B | 102 BPM | ||
| Neon Arterial - Lower Depths | Michael McCann | E Minor | 5 | 9A | 120 BPM | ||
| Eye of the Storm | Lorne Balfe, Assassin's Creed | G Major | 7 | 9B | 180 BPM | ||
| Ukotto of the Elder Dark | e.hillman | A♭ Major | 10 | 4B | 95 BPM | ||
| Winds of Cyrene | Sarah Schachner, Assassin's Creed | G Minor | 3 | 6A | 146 BPM | ||
| Wasteland 3 Opening | Mark Morgan | D♭ Major | 4 | 3B | 100 BPM | ||
| Payload | Walter Mair | F♯ Major | 2 | 2B | 83 BPM | ||
| Ancient Pandura | Kalia Lyraki | G Major | 3 | 9B | 134 BPM | ||
| Corpses in the Water | ASKII | D Minor | 2 | 7A | 66 BPM | ||
| Step Aboard | Ryan Amon | A♭ Major | 3 | 4B | 110 BPM | ||
| Launch of The Kapisi | Paul Ruskay | A Major | 1 | 11B | 106 BPM | ||
| A Mystery of Violence | Chris Tilton, Assassin's Creed | A♭ Major | 1 | 4B | 75 BPM | ||
| Pandora’s Cove | The Flight | D Minor | 3 | 7A | 148 BPM | ||
| The Streets | Elitsa Alexandrova | B♭ Major | 2 | 6B | 73 BPM | ||
| Cave Theme | Marcin Przybyłowicz | G Major | 3 | 9B | 132 BPM | ||
| Santa Lucia | Joe Henson, Alexis Smith, Assassin's Creed | D♭ Major | 6 | 3B | 115 BPM | ||
| Attack at Sea | Olivier Deriviere, Assassin's Creed | B♭ Minor | 7 | 3A | 80 BPM | ||
| Whispers of Dark Spirits | Max Aruj, Assassin's Creed | G Major | 8 | 9B | 180 BPM | ||
| Chthonic Invasion | Sarah Schachner, Assassin's Creed | D Major | 8 | 10B | 110 BPM | ||
| Stay Low | Elitsa Alexandrova, Jesper Kyd, Assassin's Creed | B♭ Major | 5 | 6B | 100 BPM | ||
| Shanty Town | Winifred Phillips, Assassin's Creed | D Major | 4 | 10B | 120 BPM | ||
| Wyches' Grounds | Nikolay Filipovich | D Major | 7 | 10B | 120 BPM | ||
| Enter the Bestiary | Brian D'Oliveira | G Minor | 0 | 6A | 154 BPM | ||
| Plots And Intrigues | P.T. Adamczyk | G Major | 0 | 9B | 81 BPM | ||
| Soothing Syrup | Austin Wintory, Assassin's Creed | F Minor | 2 | 4A | 138 BPM |