The Hebrides, MWV P 7 "Fingal's Cave" (Rome Version, 1830) by Felix Mendelssohn, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko Song Details

"The Hebrides, MWV P 7 "Fingal's Cave" (Rome Version, 1830)" by Felix Mendelssohn, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko had its release date on February 6, 2026. This song appears to be safe for all ages as it is not explicit. Because this song is the only song in Mendelssohn: The Hebrides, Op. 26, MWV P 7 'Fingal's Cave' (Rome Version, 1830) and no other songs are present in the album, we classify this track as a single. On top of that, France appears to be the country where this track was created. Based on our statistics, The Hebrides, MWV P 7 "Fingal's Cave" (Rome Version, 1830)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of The Hebrides, MWV P 7 "Fingal's Cave" (Rome Version, 1830) by Felix Mendelssohn, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.

Music Key

D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 19%
Loudness: -17.402 dB
Acousticness: 88%
Danceability: 28%
Energy: 13%
Instrumentalness: 87%
Liveness: 13%
Loudness: 71%
Speechiness: 4%
Valence: 8%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Sonatensatz in B-Flat Major	Franz Schubert, Trio Wanderer	F Major	1	7B	84 BPM
Symphony No. 7 in D Minor, Op. 70, B. 141: I. Allegro maestoso	Antonín Dvořák, Czech Philharmonic, Semyon Bychkov	B♭ Major	1	6B	105 BPM
Der Schauspieldirektor: Ouverture	Wolfgang Amadeus Mozart, Symphonieorchester des Bayerischen Rundfunks, Ferdinand Leitner	A Minor	2	8A	116 BPM
Haydn: String Quartet in D Major, Op. 76 No. 5, Hob. III:79: IV. Finale. Presto	Joseph Haydn, Quatuor Arod	C Minor	2	5A	82 BPM
Cello Concerto No. 2 in D Minor, Op. 119: II. Andante sostenuto	Camille Saint-Saëns, Zuill Bailey, Roanoke Symphony Orchestra, David Wiley	E Minor	1	9A	180 BPM
6 Klaviertstücke: No. 5 in E Minor, MWV U 18	Felix Mendelssohn, Roberto Prosseda	D Major	0	10B	73 BPM
Berlioz: Harold en Italie, Op. 16, H. 68: III. Allegro assai - Allegretto (Sérénade d'un montagnard des Abruzzes à sa maîtresse)	Hector Berlioz, Leonard Bernstein, Orchestre National De France	C Major	1	8B	85 BPM
Eine Alpensinfonie, Op. 64, TrV 233: Der Anstieg	Richard Strauss, Wiener Philharmoniker, Christian Thielemann	E♭ Major	2	5B	67 BPM
Ein Heldenleben, Op. 40, TrV. 190: I. Der Held	Richard Strauss, Rainer Honeck, Wiener Philharmoniker, Christian Thielemann	G Major	1	9B	85 BPM
Ruy Blas, Op. 95: Overture	Felix Mendelssohn, Walter Weller, Royal Scottish Orchestra	C Minor	2	5A	134 BPM
Phantasy Quintet: II. Scherzo	Ralph Vaughan Williams, Piatti Quartet, Zahra Benyounes	A Major	2	11B	84 BPM
Sinfonietta: III. Allegro	Maya Badian, Brasov State Philharmonic Orchestra, Ilarion Ionescu-Galati	F Minor	3	4A	122 BPM
Sinfonia No. 6 in E-Flat Major, MWV N6: III. Prestissimo	Felix Mendelssohn, Northern Chamber Orchestra, Nicholas Ward	E♭ Major	4	5B	155 BPM
Piano Sonata No. 1 in E Major, D. 157: II. Andante	Franz Schubert, Wilhelm Kempff	E Minor	0	9A	200 BPM
Symphony No. 3 in E flat, Op. 97 - "Rhenish": 2. Scherzo (Sehr mäßig)	Robert Schumann, Los Angeles Philharmonic, Carlo Maria Giulini	E♭ Minor	2	2A	136 BPM
Britten: Soirées musicales, Op. 9: I. March	Benjamin Britten, English Chamber Orchestra, Alexander Gibson	A Major	2	11B	84 BPM
24 Preludes, Op. 34: No. 1 in C Major, Moderato	Dmitri Shostakovich, Dudok Quartet Amsterdam	D Major	1	10B	76 BPM
Symphony No. 1 in E Major, Op. 26: III. Lento	Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi	B♭ Minor	2	3A	86 BPM
Guitar Quartet No. 11 in B Major, MS 38: II. Minuetto. Allegretto	Niccolò Paganini, Paganini Ensemble Vienna	C Major	3	8B	144 BPM
Sonata 60 Hob XVI 50: III. Allegro Molto	Joseph Haydn, Anna Miernik	F Major	2	7B	112 BPM
Symphony No. 2 in D Major, Op. 73: IV. Allegro con spirito	Johannes Brahms, Bergen Philharmonic Orchestra, Edward Gardner	E Minor	1	9A	127 BPM
Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": II. Scherzo. Sehr mäßig	Robert Schumann, Leonard Bernstein, New York Philharmonic	A Major	5	11B	83 BPM
String Octet in E-Flat Major, Op. 20: I. Allegro moderato con fuoco	Felix Mendelssohn, Gregor Piatigorsky	C Minor	3	5A	143 BPM
Valse Oubliée, S.215-1 - Duo-Art 5822	Franz Liszt, Ernest Hutcheson	A Major	2	11B	84 BPM
Piano Concerto No. 1: III. Allegro non troppo	Vittorio Rieti, Alessandro Marangoni, Orchestra Sinfonica Di Milano, Giuseppe Grazioli	C Major	3	8B	131 BPM