On July 13, 1993, the song "No Time To Kill" was released by Clint Black. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "No Time To Kill". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. In terms of popularity, No Time To Kill is currently average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With No Time To Kill by Clint Black having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I'm Holding My Own | Lee Roy Parnell | B Major | 6 | 1B | 105 BPM | ||
| One More Payment | Clint Black | D♭ Minor | 7 | 12A | 109 BPM | ||
| We Just Disagree | Billy Dean | E Major | 6 | 12B | 94 BPM | ||
| The Shoes You're Wearing | Clint Black | G Major | 7 | 9B | 82 BPM | ||
| Oklahoma Borderline | Vince Gill | C Major | 8 | 8B | 109 BPM | ||
| Nothin' But The Taillights | Clint Black | G Major | 8 | 9B | 155 BPM | ||
| In A Different Light | Doug Stone | F Major | 8 | 7B | 97 BPM | ||
| Meet In the Middle | Diamond Rio | E Major | 4 | 12B | 91 BPM | ||
| Mama Knows The Highway | Hal Ketchum | A Major | 6 | 11B | 163 BPM | ||
| Sunday In The South | Shenandoah | G Major | 4 | 9B | 91 BPM | ||
| Smoke Rings In The Dark | Gary Allan | D Major | 6 | 10B | 115 BPM | ||
| Just Enough Rope | Rick Trevino | D♭ Major | 8 | 3B | 130 BPM | ||
| Have Mercy | The Judds | D Major | 7 | 10B | 123 BPM | ||
| It Sure Is Monday | Mark Chesnutt | F Major | 7 | 7B | 147 BPM | ||
| First Time for Everything | Little Texas | C Major | 5 | 8B | 123 BPM | ||
| Don't Stop | Wade Hayes | A Major | 8 | 11B | 177 BPM | ||
| Outlaws Like Us | Travis Tritt | A Major | 7 | 11B | 83 BPM | ||
| Fire and Smoke | Earl Thomas Conley | G Major | 5 | 9B | 115 BPM | ||
| I Wonder How Far It Is Over You | Aaron Tippin | F♯ Major | 3 | 2B | 86 BPM | ||
| Daddy's Come Around | Paul Overstreet | A♭ Major | 7 | 4B | 160 BPM | ||
| Tryin' To Hide A Fire In The Dark | Billy Dean | G Minor | 6 | 6A | 116 BPM | ||
| Liza Jane | Vince Gill | E Minor | 9 | 9A | 91 BPM | ||
| What They're Talkin' About | Rhett Akins | D Major | 9 | 10B | 130 BPM | ||
| Kick It Up | John Michael Montgomery | E Major | 7 | 12B | 102 BPM | ||
| Down The Road I Go | Travis Tritt | E Minor | 9 | 9A | 108 BPM |