Patricia Barber's ' "Too Rich For My Blood" was released on its scheduled release date, September 1, 1994. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 9 out of 12 in Cafe Blue by Patricia Barber. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Too Rich For My Blood is currently not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Too Rich For My Blood by Patricia Barber is Presto (very, very fast), since this song has a tempo of 185 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| So Long | Allan Taylor, Chris Jones, Frank Fiedler, Dirko Juchem, Eberhard Weber, Andy Irvine | G Major | 2 | 9B | 100 BPM | ||
| Cocco Bello | Silje Nergaard | D Minor | 5 | 7A | 86 BPM | ||
| Train Out of Hollywood | Keb' Mo' | D♭ Major | 2 | 3B | 179 BPM | ||
| Matte Kudasai | Kurt Elling | C Major | 1 | 8B | 105 BPM | ||
| Curtain Calls | Sara K. | D Major | 2 | 10B | 180 BPM | ||
| Forever in a Kiss | Sharon Robinson | F♯ Minor | 4 | 11A | 73 BPM | ||
| The Man You Were | Shirley Horn | E Minor | 1 | 9A | 100 BPM | ||
| Japanese Roots | Takedake, ジョン・海山・ネプチューン | B♭ Major | 1 | 6B | 105 BPM | ||
| Touch of Trash | Patricia Barber, Jason Narducy, Michael Arnopol, John McLean, Eric Montzka, Ruben P. Alvarez | D Major | 3 | 10B | 82 BPM | ||
| When She Wept | Sam Vloemans | E Minor | 1 | 9A | 97 BPM | ||
| The Bird Song | Anette Askvik | C Major | 1 | 8B | 85 BPM | ||
| Manha de Carnaval | Patricia Barber | F Minor | 1 | 4A | 94 BPM | ||
| Do What You Please | Anne Bisson | G Major | 1 | 9B | 77 BPM | ||
| My Diamond Mine | McKinley Black | E Minor | 3 | 9A | 139 BPM | ||
| Samba de Uma Nota Só (One Note Samba) | Patricia Barber | E♭ Major | 1 | 5B | 119 BPM | ||
| Winter | Patricia Barber | B♭ Minor | 3 | 3A | 106 BPM | ||
| The Source Of Now | Tord Gustavsen, Simin Tander, Jarle Vespestad | C Major | 0 | 8B | 104 BPM | ||
| Dedicated to ... | Allan Taylor | E Minor | 3 | 9A | 116 BPM | ||
| Don't Know Why | Cheryl Bentyne | F Major | 4 | 7B | 154 BPM | ||
| Deep Bass & Resonant Drums | Audiophile NBR Music | F♯ Minor | 3 | 11A | 106 BPM | ||
| Too Far | Woong San | A Minor | 4 | 8A | 104 BPM | ||
| Music Is the Only Language | Katja Werker | A Major | 3 | 11B | 121 BPM | ||
| Trampled Underfoot | Vanessa Fernandez | C Minor | 1 | 5A | 151 BPM | ||
| Tennessee Waltz | Holly Cole Trio | F Major | 1 | 7B | 65 BPM | ||
| Black Lotus | Walton | B♭ Major | 4 | 6B | 128 BPM |