"Razor Love" by Rusties, Mary Coughlan had its release date on January 14, 2011. This song is about six minutes long, preciously at 5:56, making this song fairly long compared to other songs. This song is part of Wild Dogs by Rusties. The song's track number on the album is #11 out of 11 tracks. Based on our data, France was the country where this track was produced or recorded. Based on our statistics, Razor Love's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Razor Love by Rusties, Mary Coughlan has a tempo of 122 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Razor Love being at 122 BPM, the half-time would be 61 BPM with a double-time of 244 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Goin' back to Harlan (Aka Appalachian Dream) | Kate & Anna McGarrigle | A Major | 7 | 11B | 161 BPM | ||
| To See You Again | Dayborn | G Major | 4 | 9B | 105 BPM | ||
| Old Adam | Hem | G Major | 1 | 9B | 98 BPM | ||
| Boulevard Of Broken Dreams | Bill Bourne | E♭ Major | 2 | 5B | 134 BPM | ||
| THOUGHTS ABOVE THE CLOUDS - FM2 | Stephen Youmoore | D Major | 5 | 10B | 94 BPM | ||
| Sunday | Joanna Gilbert | D Major | 1 | 10B | 182 BPM | ||
| When You Walk On | Eliza Gilkyson | C Major | 5 | 8B | 74 BPM | ||
| Free Man in Paris | A Bird That Whistles | F♯ Minor | 4 | 11A | 108 BPM | ||
| All That I Am Now | Reid Genauer, Assembly of Dust | G Major | 1 | 9B | 98 BPM | ||
| Without a Title (Demo Version) | BeetRootJam | G Major | 4 | 9B | 145 BPM | ||
| He Builds the House | AKACHIM | G Major | 1 | 9B | 102 BPM | ||
| Forever Intertwined | Skyl T | F Major | 6 | 7B | 112 BPM | ||
| Deep into the Dawn | Joe Pernice, Pernice Brothers, Aimee Mann | G Major | 1 | 9B | 98 BPM | ||
| anything we could have done | Stephen Moore | D Major | 3 | 10B | 129 BPM | ||
| Howl On | Bap Kennedy | F♯ Major | 4 | 2B | 134 BPM | ||
| Shelter for an Evening | The Walkabouts | G Major | 7 | 9B | 113 BPM | ||
| Long Time Comin' | John Hiatt | E♭ Major | 4 | 5B | 81 BPM | ||
| Angel from Montgomery - Edit; Live at the Arie Crown Theater, Chicago, January, 1985 | Bonnie Raitt | A Major | 3 | 11B | 131 BPM | ||
| Unintentionally | Louis Crichton | E Minor | 3 | 9A | 78 BPM | ||
| Mercy Street | Richard Shindell | B♭ Minor | 2 | 3A | 84 BPM | ||
| Walk Away | Jenah Ross Shank | A Minor | 5 | 8A | 73 BPM | ||
| All of My Memories | Kathleen Edwards | D Major | 3 | 10B | 134 BPM | ||
| Maritza or Somebody | Chip Taylor | G Major | 1 | 9B | 98 BPM | ||
| Wonderful Disguise | Mike Scott | G Major | 7 | 9B | 139 BPM | ||
| Traveling Alone | Tift Merritt | F♯ Major | 1 | 2B | 141 BPM |