Tokyo Symphony Orchestra's 'オペラ《カルメン》 組曲より 闘牛士の歌' had a release date set for November 4, 2020. The duration of This song is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. オペラ《カルメン》 組曲より 闘牛士の歌's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 鈴木明子監修・選曲 フィギュアスケート・ミュージック ベスト~KISS & CRY, so we believe that "オペラ《カルメン》 組曲より 闘牛士の歌" is a single. In terms of popularity, オペラ《カルメン》 組曲より 闘牛士の歌 is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of オペラ《カルメン》 組曲より 闘牛士の歌 by Tokyo Symphony Orchestra is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ultraman no Haiboku | Kazuhiko Komatsu, Tokyo Symphony Orchestra | D Major | 3 | 10B | 73 BPM | ||
| ガーシュイン:ラプソディ・イン・ブルー ドラマエンディングロングヴァージョン | のだめカンタービレ | C Major | 4 | 8B | 79 BPM | ||
| 軍靴の記憶 | Yoko Kanno | B♭ Major | 3 | 6B | 89 BPM | ||
| 混声合唱とオーケストラのための組曲夢の意味, 5. 夢の名残 | 上田真樹, Traditional, Norichika Iimori, 東京混声合唱, Tokyo Symphony Orchestra | F Minor | 0 | 4A | 85 BPM | ||
| 風林火山 ~燃ゆる日輪~ | Akira Senju | F♯ Minor | 4 | 11A | 84 BPM | ||
| END TITLE | 前田憲男, Tokyo Symphony Orchestra | G Major | 2 | 9B | 77 BPM | ||
| 「プロローグ~古えの地へ~」~「禁断の術」~「掟」~「黒い血」~「蘇生」(メドレー) | 柴田真郁, Tokyo Symphony Orchestra, 東響コーラス, 末永匡 | D Minor | 1 | 7A | 67 BPM | ||
| Suite "The Planets" Op.32: 4. Jupiter - The Bringer of Jollity | Gustav Holst, Djong Victorin Yu, Philharmonia Orchestra | E Minor | 5 | 9A | 116 BPM | ||
| SLEEPING BEAUTY | 前田憲男, Tokyo Symphony Orchestra | C Major | 1 | 8B | 68 BPM | ||
| リズと青い鳥 コンクール用編曲Ver. | 北宇治高校吹奏楽部 | C Major | 2 | 8B | 66 BPM | ||
| 3rd Medley - 2023 Live | Eve, 164, mothy_悪ノP, DarvishP, niki, Tokyo Symphony Orchestra, 松井慶太 | F Major | 2 | 7B | 127 BPM | ||
| 交響組曲「機動戦士Zガンダム」 1楽章:Zガンダムのテーマ" | Shigeaki Saegusa, 近畿大学吹奏楽部 | C Major | 4 | 8B | 113 BPM | ||
| Kiyoka and Miyo - 2025 Live Version | 田尻真高, 東京シティ・フィルハーモニック管弦楽団 | F Minor | 3 | 4A | 79 BPM | ||
| 交響詩《ローマの松》 アッピア街道の松 | Ottorino Respighi, Yutaka Sado, 兵庫芸術文化センター管弦楽団 | E Minor | 1 | 9A | 93 BPM | ||
| ナイトヘーレ開門 | 斉藤恒芳 | G Major | 5 | 9B | 101 BPM | ||
| Susume!Ultraman | Kazuhiko Komatsu, Tokyo Symphony Orchestra | D Major | 3 | 10B | 73 BPM | ||
| Dragon Quest Distant Memories | Kosta Ost | F♯ Minor | 1 | 11A | 163 BPM | ||
| 宇宙を越えて | F.S.S.オーケストラ | E Minor | 1 | 9A | 82 BPM | ||
| 革命軍の戦い | Kohei Tanaka | D Major | 9 | 10B | 112 BPM | ||
| 弦楽のための組曲: 第3楽章: O waly waly/おお、ウェイリー、ウェイリー | 石田泰尚, 石田組 | A Minor | 2 | 8A | 79 BPM | ||
| 無伴奏混声合唱のための風紋, 2. あなたは風 | 石井歓, Traditional, Norichika Iimori, 東京混声合唱, Tokyo Symphony Orchestra | F Minor | 0 | 4A | 85 BPM | ||
| 仮面舞踏会より ワルツ | Tokyo Symphony Orchestra | A♭ Major | 0 | 4B | 80 BPM | ||
| ヴィヴァーチェ! (Wind Orchestra Ver.) | 北宇治高校吹奏楽部 | F♯ Minor | 5 | 11A | 110 BPM | ||
| MISSION | Shigeaki Saegusa | A Minor | 3 | 8A | 89 BPM | ||
| CRUSHERS' THEME - 宇宙翔ける者 | 前田憲男, Tokyo Symphony Orchestra | D Major | 3 | 10B | 90 BPM |