- BPM
- 85
- Key
- G Major
- Camelot
- 9B
Touch-A-Touch-A-Touch Me by Alice Ripley, Dick Cavett, The Rocky Horror Show Band (2000), The Rocky Horror Show Ensemble (2000) Song Details
Alice Ripley, Dick Cavett, The Rocky Horror Show Band (2000), The Rocky Horror Show Ensemble (2000)'s ' "Touch-A-Touch-A-Touch Me" was released on its scheduled release date, May 14, 2001. The duration of This song is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Touch-A-Touch-A-Touch Me's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "The Rocky Horror Show (New Broadway Cast Recording (2000))". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. Touch-A-Touch-A-Touch Me is below average in popularity right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
BPM and Tempo
With Touch-A-Touch-A-Touch Me by Alice Ripley, Dick Cavett, The Rocky Horror Show Band (2000), The Rocky Horror Show Ensemble (2000) having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
Music Key
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 26%
- Loudness
- -8.837 dB
- Acousticness
- 62%
- Danceability
- 62%
- Energy
- 45%
- Instrumentalness
- 0%
- Liveness
- 68%
- Loudness
- 85%
- Speechiness
- 27%
- Valence
- 59%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Heartbreak Hotel | John Eric Parker, Mark Price, Sharon Wilkins, Nikki M. James, Jonathan Hadary, All Shook Up Ensemble | F Major | 6 | 7B | 103 BPM | |
 | An Old-Fashioned Love Story | Alix Korey | A Major | 4 | 11B | 187 BPM | |
 | The Acceptance Song | Christopher Sieber, Beth Leavel, Brooks Ashmanskas, The Prom Ensemble | B♭ Major | 7 | 6B | 152 BPM | |
 | Suddenly Seymour | Hunter Foster | A Major | 4 | 11B | 99 BPM | |
 | Friendship (From "DuBarry Was A Lady") / Friends To The End (From "Tom And Jerry") | Alice Ripley, Emily Skinner | A♭ Major | 1 | 4B | 144 BPM | |
 | Bend and Snap | Annaleigh Ashford, Dequina Moore, Laura Bell Bundy, 'Legally Blonde' Ensemble, Leslie Kritzer, Orfeh | A Major | 6 | 11B | 125 BPM | |
 | Come Out of the Dumpster | Laura Benanti, Stephen Lynch | D Major | 3 | 10B | 145 BPM | |
 | The Sad Tale of the Beauxhommes | David Jennings, Once On This Island Storytellers | A Minor | 7 | 8A | 120 BPM | |
 | Been A Long Day | Mary Faber, Rose Hemingway, Daniel Radcliffe | E♭ Major | 2 | 5B | 128 BPM | |
 | It's Gonna Be Good - 2024 Remix & Remaster | Alice Ripley, Aaron Tveit, J. Robert Spencer, Louis Hobson, Jennifer Damiano, Adam Chanler-Berat | C Major | 7 | 8B | 161 BPM | |
 | Flotsam (Reprise) | Michael John LaChiusa, Alice Ripley | D Minor | 1 | 7A | 84 BPM | |
 | Open Your Heart | Wayne Alan Wilcox, Marin Mazzie, Molly Ranson, Carrie: The Musical Ensemble | F Major | 4 | 7B | 103 BPM | |
 | Who Will Love Me As I Am | Alice Ripley, Emily Skinner | A♭ Major | 5 | 4B | 129 BPM | |
 | Once in a While | Jarrod Emick, Dick Cavett, The Rocky Horror Show Ensemble (2000) | C Major | 3 | 8B | 114 BPM | |
 | Extraordinary | Matthew James Thomas | D Minor | 6 | 7A | 146 BPM | |
 | We Ain't No Cheerleaders | Bring It On: The Musical - Original Broadway Cast | D♭ Major | 6 | 3B | 126 BPM | |
 | I'm The Bravest Individual | Christina Applegate, Denis O'Hare | G Major | 3 | 9B | 169 BPM | |
 | All for the Best | Hunter Parrish, Wallace Smith, Godspell (The New Broadway Cast Recording) | G Major | 4 | 9B | 136 BPM | |
 | Freak Flag | John Tartaglia, Shrek Ensemble | A Major | 5 | 11B | 145 BPM | |
 | I'm Breaking Down | Stephanie J. Block | A Major | 4 | 11B | 141 BPM | |
| I'm Past My Prime - From "Li'l Abner" | Alice Ripley, Emily Skinner | A♭ Major | 1 | 4B | 144 BPM | |
 | Snuff That Girl | Ken Jennings, Megan Lawrence, Spencer Kayden, Rick Crom, Rachel Coloff, Victor W. Hawks, Lawrence Street | D Major | 5 | 10B | 105 BPM | |
 | Manchester England | Gavin Creel, 'Hair' Tribe | B Minor | 6 | 10A | 139 BPM | |
 | Heart To Hart | Kathy Fitzgerald and Ensemble | E Major | 3 | 12B | 83 BPM | |
 | Hey There, Single Guy/Gal | Jimmy Roberts, Joe DiPietro | F Major | 3 | 7B | 135 BPM |
- ISRC
- USBC10100148
- Label
- L-M Records/RCA Records