Finch's 'Perfection Through Silence' had a release date set for October 9, 2001. The duration of This song is about 3 minutes long, at 3:16. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 4 in Falling Into Place by Finch. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Perfection Through Silence is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Perfection Through Silence by Finch is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hold on Tightly, Let Go Lightly | Boys Night Out | A Major | 6 | 11B | 129 BPM | ||
| Mix Tape | Brand New | D♭ Major | 7 | 3B | 137 BPM | ||
| Left With Alibis And Lying Eyes | Emery | F♯ Major | 9 | 2B | 166 BPM | ||
| Way Away | Yellowcard | F♯ Major | 7 | 2B | 90 BPM | ||
| War All The Time | Thursday | A Minor | 8 | 8A | 125 BPM | ||
| All That's Left | Thrice | G Minor | 10 | 6A | 183 BPM | ||
| Legends Die | Bleed The Dream | A♭ Major | 10 | 4B | 164 BPM | ||
| Where Can I Stab Myself In The Ears | Hawthorne Heights | E♭ Minor | 9 | 2A | 171 BPM | ||
| The Space Between | Valencia | D Major | 9 | 10B | 170 BPM | ||
| All We Ever Needed | The Early November | F♯ Major | 5 | 2B | 91 BPM | ||
| Through Waiting | Greeley Estates | D Major | 9 | 10B | 168 BPM | ||
| Masterpiece | Bayside | A♭ Major | 10 | 4B | 100 BPM | ||
| Lovers & Liars | Matchbook Romance | B Major | 10 | 1B | 96 BPM | ||
| Lilacs & Lolita | From Autumn To Ashes | G Major | 10 | 9B | 168 BPM | ||
| Writing On The Walls | Underoath | D Minor | 10 | 7A | 92 BPM | ||
| Icarus | Hopesfall | D Minor | 8 | 7A | 77 BPM | ||
| You're Ever So Inviting | Underoath | D Minor | 10 | 7A | 180 BPM | ||
| Greetings...Goodbye | Glasseater | A♭ Major | 10 | 4B | 102 BPM | ||
| Ship To Shore | The Movielife | A♭ Major | 9 | 4B | 108 BPM | ||
| Stare At The Sun | Thrice | C Minor | 10 | 5A | 187 BPM | ||
| Dressed To Kill | New Found Glory | A Major | 10 | 11B | 163 BPM | ||
| Lip Gloss And Black | Atreyu | A♭ Major | 8 | 4B | 148 BPM | ||
| It's Dangerous Business Walking Out Your Front Door | Underoath | A Minor | 10 | 8A | 135 BPM | ||
| I'm a Loner Dottie, a Rebel | The Get Up Kids | B Minor | 9 | 10A | 177 BPM | ||
| Ape Dos Mil | Glassjaw | G Major | 9 | 9B | 108 BPM |