On 1951, the song "Evonce - Rudy Van Gelder 24-Bit Mastering / 2001 Digital Remaster" was released by Thelonious Monk. The duration of This song is about 3 minutes long, at 3:04. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Thelonious Monk's "Genius Of Modern Music (Vol.1, Expanded Edition)" album is number 2 out of 21. On top of that, United States appears to be the country where this track was created. In terms of popularity, Evonce - Rudy Van Gelder 24-Bit Mastering / 2001 Digital Remaster is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Evonce - Rudy Van Gelder 24-Bit Mastering / 2001 Digital Remaster by Thelonious Monk to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Four | Miles Davis Quintet | C Minor | 6 | 5A | 99 BPM | ||
| Versailles (Porte de Versailles) | The Modern Jazz Quartet | A♭ Major | 4 | 4B | 106 BPM | ||
| Manteca | Phineas Newborn Jr. | F Minor | 5 | 4A | 121 BPM | ||
| Prelude To A Kiss | Bobby Timmons | A Minor | 1 | 8A | 75 BPM | ||
| Somethin' Special | Sonny Clark | G Minor | 3 | 6A | 184 BPM | ||
| Tea for Two | Thelonious Monk | B♭ Minor | 3 | 3A | 175 BPM | ||
| Inception | McCoy Tyner Trio | F Minor | 4 | 4A | 140 BPM | ||
| Recorda Me | Joe Henderson | C Major | 4 | 8B | 91 BPM | ||
| Autour de minuit | Thelonious Monk, Bernard Hanighen, Charles Cootie Williams, Natalie Dessay, Paris Mozart Orchestra, Claire Gibault | D Minor | 2 | 7A | 168 BPM | ||
| Moon Ray - Remastered | Rahsaan Roland Kirk | G Major | 3 | 9B | 129 BPM | ||
| Satin Doll - Take 7 | Wes Montgomery Trio | C Major | 1 | 8B | 65 BPM | ||
| All Or Nothing At All | John Coltrane Quartet | G Major | 4 | 9B | 92 BPM | ||
| Beatrice | Sam Rivers | F Major | 1 | 7B | 120 BPM | ||
| What Is This Thing Called Love? - Instrumental | Red Garland Trio | D Minor | 4 | 7A | 112 BPM | ||
| In The Wee Small Hours Of The Morning | Gerry Mulligan Sextet | G Major | 0 | 9B | 115 BPM | ||
| Daahoud - Alternate Take | Clifford Brown, Max Roach Quintet | A♭ Major | 7 | 4B | 116 BPM | ||
| Along Came Betty | Art Blakey & The Jazz Messengers | D♭ Major | 4 | 3B | 112 BPM | ||
| Si Si | Charlie Barnet | F Major | 7 | 7B | 98 BPM | ||
| These Foolish Things - Rudy Van Gelder Edition/Digital Remaster/2006 | Johnny Griffin | E♭ Major | 3 | 5B | 105 BPM | ||
| G.W. | Eric Dolphy Quintet | A♭ Major | 7 | 4B | 106 BPM | ||
| Effendi | McCoy Tyner Trio | A Minor | 4 | 8A | 69 BPM | ||
| Wail | Bud Powell | A♭ Major | 7 | 4B | 135 BPM | ||
| An Oscar For Treadwell - Alternate Take | Dizzy Gillespie, Charlie Parker, Thelonious Monk, Curly Russell, Buddy Rich | C Major | 6 | 8B | 113 BPM | ||
| Parisian Thoroughfare | Clifford Brown, Max Roach | G Major | 3 | 9B | 129 BPM | ||
| Take The Coltrane | Duke Ellington, John Coltrane | F Major | 6 | 7B | 129 BPM |