Like Moths To Flames's 'Gone Without a Trace' had a release date set for May 10, 2024. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "The Cycles Of Trying To Cope". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Australia. Based on our statistics, Gone Without a Trace's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Gone Without a Trace by Like Moths To Flames having a BPM of 146 with a half-time of 73 BPM and a double-time of 292 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Burial Season | Our Hollow, Our Home | D Major | 9 | 10B | 75 BPM | ||
| Full Tilt | Johnny Booth | B Minor | 9 | 10A | 160 BPM | ||
| Decompose | Inertia | D Major | 10 | 10B | 155 BPM | ||
| Trying to Survive | Alleviate | B♭ Minor | 10 | 3A | 145 BPM | ||
| Habitual Decline | Like Moths To Flames | F♯ Major | 10 | 2B | 117 BPM | ||
| Jinn | Engrave | E♭ Minor | 10 | 2A | 127 BPM | ||
| Erase Me | Make Them Suffer | F♯ Major | 9 | 2B | 94 BPM | ||
| Stillness | Aerial | E Major | 10 | 12B | 115 BPM | ||
| Obscurity | ACCVSED | B Minor | 10 | 10A | 120 BPM | ||
| Deadweight | Downswing | B♭ Minor | 10 | 3A | 101 BPM | ||
| Static | Inertia | D Major | 10 | 10B | 130 BPM | ||
| Cold | Prospective | G Major | 9 | 9B | 92 BPM | ||
| Paradigm Trigger | Like Moths To Flames | B Minor | 10 | 10A | 112 BPM | ||
| Intentions | SAVE US | D♭ Major | 9 | 3B | 150 BPM | ||
| Target Acquired | 156/Silence | B Minor | 10 | 10A | 99 BPM | ||
| Scars On A Soul | Boundaries | A♭ Major | 10 | 4B | 180 BPM | ||
| Hold Me Down | Hollow Front | E Minor | 10 | 9A | 134 BPM | ||
| Cast Out | Hollow Front | D Major | 10 | 10B | 148 BPM | ||
| We're All Left Suffering | Hollow Front | B♭ Minor | 10 | 3A | 166 BPM | ||
| The Call of the Void | Imminence | A♭ Minor | 9 | 1A | 155 BPM | ||
| Fallout | Engrave | B♭ Minor | 10 | 3A | 120 BPM | ||
| Glass Mountains | Midwinter | B Major | 10 | 1B | 130 BPM | ||
| Too Far Gone | Inertia | D Minor | 9 | 7A | 120 BPM | ||
| Evergreen | Aphasia | B♭ Major | 10 | 6B | 132 BPM | ||
| Blood Loss | 156/Silence, Carson Pace | D Major | 10 | 10B | 80 BPM |