"Nowhere" by Wataru Sato had its release date on February 2, 2022. The duration of This song is about 3 minutes long, at 3:04. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 8 out of 10 in Fading Spaces by Wataru Sato. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. In terms of popularity, Nowhere is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Nowhere by Wataru Sato is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Crayon Faces | Motohiro Nakashima | C Major | 8 | 8B | 75 BPM | ||
| Passages | Stephen Weber, Guilherme Veroneze | B♭ Major | 0 | 6B | 114 BPM | ||
| acceptances | Lara Somogyi | G Minor | 0 | 6A | 89 BPM | ||
| a safe place | Nick Vereshchak | A♭ Major | 1 | 4B | 92 BPM | ||
| Above - composed as the score to a Matthias Koenigswieser photograph | Slow Shiver, Valente Bertelli | B♭ Major | 0 | 6B | 66 BPM | ||
| Body in a Room - solo piano | Bing & Ruth | G Minor | 4 | 6A | 62 BPM | ||
| The Compass of a Telegraph | Luke Howard | G Major | 0 | 9B | 132 BPM | ||
| Undertow | Ed Carlsen | D Minor | 1 | 7A | 104 BPM | ||
| Release | Poppy Ackroyd | A Major | 2 | 11B | 102 BPM | ||
| Adventure | Mahmoud Valanejad | D♭ Major | 1 | 3B | 89 BPM | ||
| Two Weeks | Oli Bayston | A♭ Major | 3 | 4B | 132 BPM | ||
| Marginalia #112 | Masakatsu Takagi | F Major | 2 | 7B | 112 BPM | ||
| Páthē | Piotr Wiese | A Minor | 2 | 8A | 159 BPM | ||
| そこから先は地獄 -Main Theme- | Wataru Sato | G Minor | 1 | 6A | 142 BPM | ||
| Plume | Matteo de Grandis | D Major | 2 | 10B | 115 BPM | ||
| Journey | Peter Belec, India Gailey | D♭ Major | 3 | 3B | 126 BPM | ||
| Islands | Nsee, Harlan Silverman | D Major | 1 | 10B | 119 BPM | ||
| Still Day | Roger Eno, Scoring Berlin, Christian Badzura | D Minor | 1 | 7A | 69 BPM | ||
| Existence | Wataru Sato | D♭ Major | 1 | 3B | 61 BPM | ||
| Come Home Tonight | Omar Diop | D♭ Minor | 2 | 12A | 106 BPM | ||
| The Fertile Night | Danny Mulhern | A Major | 1 | 11B | 60 BPM | ||
| Thirty | Sarah Watson | C Major | 0 | 8B | 131 BPM | ||
| All We Can't See - Piano Version | Alaskan Tapes | E Major | 1 | 12B | 173 BPM | ||
| Next Winter | Mark Slater | A♭ Minor | 0 | 1A | 71 BPM | ||
| Dear, Utopia - Jameson Nathan Jones Rework | Illuminine, Jameson Nathan Jones | D♭ Major | 1 | 3B | 124 BPM |