Rita Reys's ' "Come To Scheveningen" was released on its scheduled release date, October 25, 1965. The duration of This song is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Come To Scheveningen's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Rita Reys Meets Oliver Nelson". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Netherlands. Come To Scheveningen is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Come To Scheveningen by Rita Reys having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Doorframe Moulding | The Pastel Hour | C Minor | 2 | 5A | 89 BPM | ||
| Frieze Panel | Fireside Jazz | D Minor | 2 | 7A | 82 BPM | ||
| Solitary Vice | Zuzana Bing | C Major | 1 | 8B | 190 BPM | ||
| Smile | Rita Reys | D Minor | 2 | 7A | 85 BPM | ||
| Shadow Serenade | Lora Kraviz | C Major | 1 | 8B | 190 BPM | ||
| A Good Good Day | Timeless Tone | C Major | 3 | 8B | 116 BPM | ||
| Que feras-tu de ta vie ? | Cécile Brocas, Baptiste Herbin, Romain Sarron, Fred Nardin, Fabien Marcoz | C Major | 1 | 8B | 190 BPM | ||
| Café Noir Confessions | WENDO KEN | D Major | 3 | 10B | 105 BPM | ||
| Matchbook Prelude | Polaroid Sessions | E♭ Major | 3 | 5B | 73 BPM | ||
| Pergola Haze | Crying Mirror | B♭ Major | 3 | 6B | 115 BPM | ||
| Cigarettes and Goodbyes | Choll | G Major | 1 | 9B | 97 BPM | ||
| bite marks | Whisper Darling | A Minor | 3 | 8A | 174 BPM | ||
| Fireplace Mantel | Fireside Jazz | G Minor | 1 | 6A | 61 BPM | ||
| Gaslamp Arcade | marss ala | F Minor | 2 | 4A | 70 BPM | ||
| Find Yourself A Vision | Janet Benna | A♭ Major | 2 | 4B | 137 BPM | ||
| Smoky Atrium | The Pastel Hour | F Minor | 3 | 4A | 72 BPM | ||
| I Love Paris | Annie Ross | B♭ Major | 1 | 6B | 140 BPM | ||
| Cerulean Salon | Polaroid Sessions | E♭ Major | 3 | 5B | 73 BPM | ||
| In The Wee Small Hours Of The Morning | Ann Burton, Louis Van Dijk, Piet Noordijk | F Major | 1 | 7B | 110 BPM | ||
| City Windows | City Jazzscape | A♭ Major | 3 | 4B | 121 BPM | ||
| I Love You | Pim Jacobs Trio | G Minor | 4 | 6A | 122 BPM | ||
| Goodbye Little Dream, Goodbye | Susannah McCorkle | D Minor | 0 | 7A | 80 BPM | ||
| This Is Moment | Austyn Ziemann | E Minor | 2 | 9A | 123 BPM | ||
| Foyer in Russet | Crying Mirror | E♭ Major | 3 | 5B | 75 BPM | ||
| Telegraph Prelude | walkin around jazz | E♭ Major | 2 | 5B | 75 BPM |