Bernard Cavanna, Anonymous, Marianne Piketty, Pascal Contet's ' "Les disparus" was released on its scheduled release date, June 4, 2013. This song is about six minutes long, preciously at 6:27, making this song fairly long compared to other songs. There are a total of 14 in the song's album "Night's Dream". In this album, this song's track order is #6. Furthermore, we believe that the track originated from France. The popularity of Les disparus is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Les disparus by Bernard Cavanna, Anonymous, Marianne Piketty, Pascal Contet having a BPM of 160 with a half-time of 80 BPM and a double-time of 320 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Castillo Interior: Allegro [Fig. 11] | Pēteris Vasks, Kristīne Balanas, Margarita Balanas | D Major | 0 | 10B | 90 BPM | ||
| Concerto grosso no.1 (1976-77): 1. Preludio: Andante | Alfred Schnittke, Gidon Kremer, Tatiana Grindenko, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff | C Minor | 0 | 5A | 93 BPM | ||
| Donnacha Dennehy: Land of Winter: IV. March | Donnacha Dennehy, Alarm Will Sound, Alan Pierson | D Minor | 4 | 7A | 97 BPM | ||
| Raphaël, Reviens, Act I: "Les Lascars" | Bernard Cavanna, Noëmi Schindler, Christophe Roy, Pascal Contet, Thierry Grégoire, Vincent Billier, Laurent Bordeaux, Olivier Dumait, Patricia Gonzales, Samuel Gangneron | E Minor | 1 | 9A | 83 BPM | ||
| Chasing Sunlight: IV. Exhausted - Live | Mark David Boden, Fenella Humphreys, Sinfonia Cymru, Haim Choi | D Minor | 1 | 7A | 109 BPM | ||
| Songs & Poems: Song V (arrranged for viola) | Philip Glass, Amelia Hollander Ames | C Minor | 1 | 5A | 136 BPM | ||
| Presto in C Minor, H.230 Wq.114/3 | Carl Philipp Emanuel Bach, Patricia Kopatchinskaja, Sol Gabetta | D♭ Major | 0 | 3B | 146 BPM | ||
| Peter Grimes, Op. 33, Act II: Interlude III | Benjamin Britten, Edward Gardner, Bergen Philharmonic Orchestra | F Major | 0 | 7B | 58 BPM | ||
| Játékok / 1.: 25a. Örökmozgó (talált tárgy) | György Kurtág | C Major | 0 | 8B | 72 BPM | ||
| Seis piezas a Violeta (2023 Version for String Orchestra & Piano): III. Ritmo Genésico | Gabriela Ortiz, Los Angeles Philharmonic, Gustavo Dudamel, Joanne Pearce Martin | E Major | 0 | 12B | 57 BPM | ||
| Montage: II. Larghetto espressivo | James Lentini, Harvey Thurmer, Pansy Chang, Siok Lian Tan | D♭ Minor | 2 | 12A | 113 BPM | ||
| Danse Sayyid (No. 26) | G. I. Gurdjieff, Thomas de Hartmann, Dietrich Bethge, Corinne Cordier, Herbert Lashner, Fernando Del Verme | G Minor | 2 | 6A | 74 BPM | ||
| Bene Feast | Estoria | C Minor | 1 | 5A | 136 BPM | ||
| In the Light of Air: I. Luminance | Anna Thorvaldsdottir, International Contemporary Ensemble | D Minor | 5 | 7A | 176 BPM | ||
| Dances: No. 4, Sarabande | Tõnu Kõrvits, Ksenija Sidorova, Estonian Festival Orchestra, Paavo Järvi | C Minor | 1 | 5A | 136 BPM | ||
| Online with Ruslan | Isobell Makkar | B♭ Minor | 0 | 3A | 69 BPM | ||
| Outbreak ETA - Para Voz, Violín, Violonchelo, Flauta, Clarinete y Piano | Juan M. A. Herrera, Jimmy Herrera, Federico Gariglio | G Minor | 3 | 6A | 126 BPM | ||
| Die Kuh | György Kurtág, Maria Husmann, Niek De Groot | C Minor | 1 | 5A | 136 BPM | ||
| Quatuor pour la fin du Temps: VII. Fouillis d'arcs-en-ciel, pour l'Ange qui annonce la fin du Temps | Olivier Messiaen, Martin Fröst, Lucas Debargue, Torleif Thedéen, Janine Jansen | E Major | 2 | 12B | 134 BPM | ||
| 12 Notations pour piano: V Doux et improvisé | Pierre Boulez, David Fray | D♭ Major | 0 | 3B | 83 BPM | ||
| Sonata für Oboe Solo: I. Langsam – Beschleunigend | Jürg Wyttenbach, Heinz Holliger | B♭ Minor | 0 | 3A | 77 BPM | ||
| String Quartet No. 1 in D Major, Op. 25: I. Andante Sostenuto - Allegro Vivo | Benjamin Britten, Barbican Quartet | G Major | 1 | 9B | 77 BPM | ||
| Raphaël, Reviens, Act I: "Air de Gilles II" | Bernard Cavanna, Noëmi Schindler, Christophe Roy, Pascal Contet, Thierry Grégoire, Vincent Billier, Laurent Bordeaux, Olivier Dumait, Patricia Gonzales, Samuel Gangneron | G Major | 5 | 9B | 98 BPM | ||
| Sonatas and Interludes for Prepared Piano: Sonata No. 5 | John Cage, Boris Berman | A Major | 0 | 11B | 92 BPM | ||
| Sonatas and Interludes for Prepared Piano: Sonata No. 3 | John Cage, Boris Berman | G Major | 4 | 9B | 146 BPM |