On July 24, 2000, the song "Panjarama Popat" was released by Atul Purohit. The duration of This song is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Panjarama Popat's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Tara Vina Shyam". In this album, this song's track order is #17. Furthermore, we believe that the track originated from India. Panjarama Popat is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Panjarama Popat by Atul Purohit having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Krushna Joya Na Kod | Raj Gadhvi | A Major | 7 | 11B | 95 BPM | ||
| Kana Mane Dwarika Dekhad | Kairavi Buch, Bhavin Bhanushali | E Major | 6 | 12B | 142 BPM | ||
| Madi Te To Bhale Re Odhyo Bheliyo | Devraj Gadhavi | F Major | 8 | 7B | 174 BPM | ||
| Karmno Sangathi | Hari Bharwad | B Major | 6 | 1B | 116 BPM | ||
| Unplugged - Chaand Ne Kaho | Sachin Sanghvi | F Major | 4 | 7B | 100 BPM | ||
| Shri Krishna Na Charnarvind | Dipalee Somaiya Date | D Major | 6 | 10B | 100 BPM | ||
| Bol Valam Na | Ishani Dave | D Major | 3 | 10B | 135 BPM | ||
| Chhapakhru | Rajbha Gadhvi GIR | E♭ Minor | 10 | 2A | 110 BPM | ||
| Yaad Tari Zindagi Thi Jati Nathi | Umesh Barot | F♯ Minor | 9 | 11A | 200 BPM | ||
| Jambudana Kol Re Rasiya | Vana Bharvad | B♭ Major | 8 | 6B | 160 BPM | ||
| Kuvane Kathde Gaiti | Sachin Limaye, Vatsala Patil, Atul Purohit, Ninad Maheta, Foram Maheta, Ashita Limaye, Ravi Nayak, Shashank Fadnish, Himali Dholkiya, Sima Choksi | F♯ Major | 5 | 2B | 123 BPM | ||
| Hu Gokul No Govaliyo | Mayur Buddhdev | B♭ Minor | 9 | 3A | 91 BPM | ||
| Dakla 2 Extended Mix - Mixed | Bandish Projekt, Aishwarya Joshi | F Major | 8 | 7B | 145 BPM | ||
| Nahi Melu Re DJ | Rupal Doshi | E Minor | 10 | 9A | 75 BPM | ||
| Nanavati Re Sajan | Lagna Geet Chorus | F Major | 8 | 7B | 168 BPM | ||
| Nandgopala | Kaushik Bharwad, Priyal Chauhan, Manish Bhanushali | E Major | 8 | 12B | 127 BPM | ||
| Saiyar Mori Re - Title Track | Jignesh Barot | A♭ Minor | 9 | 1A | 49 BPM | ||
| Jhanjariyu | Umesh Barot | F Minor | 8 | 4A | 106 BPM | ||
| Ramti Aave Maadi | Vanita Patel, Mittal Rabari | A♭ Major | 9 | 4B | 116 BPM | ||
| Jilan Jilva Gya Ta | Jahnvi Shrimankar | G Major | 8 | 9B | 67 BPM | ||
| Sonal Garbo Shire Ambe Maa | Vanita Patel, Mittal Rabari | A♭ Major | 10 | 4B | 119 BPM | ||
| Aave Tu | Aishwarya Majmudar | E♭ Major | 7 | 5B | 90 BPM | ||
| Aavo Navlakh | Aghori Muzik, Himanshu Chauhan, K. Deep - Aghori Muzik | F Major | 9 | 7B | 146 BPM | ||
| Ek Vaar Mavadi Mare Mandiriye | Falguni Pathak | B Minor | 6 | 10A | 175 BPM | ||
| 75 Paghdi 2 | Rajbha Gadhvi Gir, Kuldip Gadhvi | F♯ Major | 7 | 2B | 135 BPM |