- BPM
- 98
- Key
- F Minor
- Camelot
- 4A
Doute by Albert Roussel, Emanuele Torquati Song Details
Albert Roussel, Emanuele Torquati's 'Doute' had a release date set for May 23, 2013. The duration of This song is about 3 minutes long, at 3:18. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 24 in the song's album "Roussel: Promenade Sentimentale, Complete Piano Music". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Doute is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Doute by Albert Roussel, Emanuele Torquati having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Music Key
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -25.701 dB
- Acousticness
- 99%
- Danceability
- 38%
- Energy
- 7%
- Instrumentalness
- 86%
- Liveness
- 10%
- Loudness
- 57%
- Speechiness
- 3%
- Valence
- 20%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Suite de danzas criollas, Op. 15: I. Adagietto pianissimo | Alberto Ginastera, Simon Cohen, Jerusalem Symphony Orchestra, Gisele Ben-Dor | G Major | 0 | 9B | 144 BPM | |
 | Symphony No. 3 in G Minor, Op. 42: I. Allegro vivace | Albert Roussel, Royal Scottish National Orchestra, Stéphane Denève | D Major | 3 | 10B | 81 BPM | |
 | Violin Concerto No. 2 in D Minor, Op. 61: II. Andantino sostenuto | Karol Szymanowski, Warmia Symphonic Orchestra, Silvano Frontalini, Beatrice Antonionini | A♭ Major | 4 | 4B | 103 BPM | |
 | Schmitt: La tragédie de Salomé, Op. 50: II. Danse des perles | Florent Schmitt, Pierre Dervaux, Orchestre du Théâtre National de l'Opéra de Paris | F Minor | 2 | 4A | 122 BPM | |
 | Impromptu, Op. 21. Modéré | Albert Roussel, Lavinia Meijer | F Major | 0 | 7B | 79 BPM | |
 | Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: IV. Auftritt und Tanz der Schneider | Richard Strauss, Jeffrey Tate, English Chamber Orchestra, Clifford Benson, José-Luis Garcia | G Minor | 2 | 6A | 77 BPM | |
 | Pulcinella, K 034: II. Serenata | Igor Stravinsky, Josep Pons, Orquestra De Cambra Teatre Lliure | C Minor | 0 | 5A | 77 BPM | |
 | Irmelin Prelude | Frederick Delius, London Symphony Orchestra, Sir John Barbirolli | F♯ Major | 0 | 2B | 96 BPM | |
 | Roman tanc (Romanian Dance), BB 61 | Béla Bartók, Hungarian National Philharmonic, Zoltán Kocsis | D♭ Major | 1 | 3B | 81 BPM | |
 | Le marchand de sable qui passe, Op. 13: IV. Scène finale (Version for Piano) | Albert Roussel, Jean-Pierre Armengaud | A Major | 0 | 11B | 109 BPM | |
 | Pulcinella Suite: II. Serenata | Igor Stravinsky, Tapiola Sinfonietta, Masaaki Suzuki | C Minor | 0 | 5A | 87 BPM | |
 | Violin Sonata in E Minor, P. 85: IV. Giga. Vivace assai (After J.S. Bach's BWV 1023) | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | E Minor | 0 | 9A | 121 BPM | |
 | Digital Aurora | Lumi Risto | C Minor | 8 | 5A | 112 BPM | |
 | Ibert: 3 Pièces brèves: II. Andante | Jacques Ibert, Les Vents Français, Tullio Serafin, Philharmonia Orchestra | A♭ Major | 0 | 4B | 61 BPM | |
 | Stille Musik: I. Walzer des Augenblicks | Valentin Silvestrov, Munich Chamber Orchestra | A Minor | 0 | 8A | 60 BPM | |
 | Sibelius: Symphony No. 1 in E Minor, Op. 39: II. Andante, ma non troppo lento | Jean Sibelius, Paavo Berglund, Helsinki Philharmonic Orchestra | C Major | 2 | 8B | 109 BPM | |
 | Ibert: Flute Concerto: II. Andante | Jacques Ibert, Emmanuel Pahud, David Zinman, Tonhalle-Orchester Zürich | D♭ Major | 1 | 3B | 54 BPM | |
 | Divertimento for Strings, Sz. 113: III. Allegro assai | Béla Bartók, Orpheus Chamber Orchestra | B♭ Major | 1 | 6B | 105 BPM | |
 | Rêverie, Op. 24 | Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | |
 | Children's Corner (arr. A. Caplet for orchestra): Serenade for the Doll | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | D♭ Minor | 0 | 12A | 131 BPM | |
 | Suite, Op. 157b: II. Divertissement | Darius Milhaud, Jean-Marc Fessard, Frédéric Pélassy, Eliane Reyes | F♯ Major | 0 | 2B | 82 BPM | |
 | Die Dreigroschenoper: Overture (Arr. for Double Bass, Piano & Accordion by Murray Grainger, Marianne Schofield & William Vann) | Kurt Weill, William Vann, Murray Grainger, Marianne Schofield | G Minor | 2 | 6A | 77 BPM | |
 | Eine Alpensinfonie, Op. 64, TrV 233: IX. Auf der Alm | Richard Strauss, Berliner Philharmoniker, Seiji Ozawa | E♭ Major | 1 | 5B | 105 BPM | |
 | Honegger : Symphony No.1 in C major : II Adagio | Arthur Honegger, Charles Dutoit, Bavarian Radio Symphony Orchestra | B Major | 0 | 1B | 78 BPM | |
 | Ein Heldenleben, Op. 40, TrV. 190: Des Helden Widersacher | Richard Strauss, Rainer Honeck, Wiener Philharmoniker, Christian Thielemann | F Minor | 0 | 4A | 124 BPM |
- ISRC
- NLY331209402
- Label
- L-M Records/RCA Records