Zeeshan Khan Rokhri's ' "Boski Da Chola" was released on its scheduled release date, 2015. This song appears to be safe for all ages as it is not explicit. The song is number 2 out of 7 in Asan Musafir by Zeeshan Khan Rokhri. Going off of the ISRC code of this track, we detected that the origin of this track is from Pakistan. In terms of popularity, Boski Da Chola is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Boski Da Chola by Zeeshan Khan Rokhri is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Wan Kutia | Abrar Ul Haq | B♭ Minor | 9 | 3A | 136 BPM | ||
| Maa Da Ladla | Mazhar Rahi, Sumaira Shahzad | E Minor | 9 | 9A | 99 BPM | ||
| Okhay Painday | Sain Zahoor Ahmed | C Minor | 7 | 5A | 152 BPM | ||
| Nikkah | Awais Iqbal | F Major | 9 | 7B | 180 BPM | ||
| Asi Mary Sarkar Tusi Changy | Imran Talib Dard | D♭ Minor | 9 | 12A | 103 BPM | ||
| Batiyaan Bujhayi | Kabul Bukhari | G Major | 4 | 9B | 96 BPM | ||
| HAIDER HAIDER BOL MALANGA | Muntazir Hassan Nagri, Muazzam Ali Mirza | D♭ Minor | 8 | 12A | 112 BPM | ||
| Lajpal Yaariyan | Basit Naeemi | B♭ Minor | 9 | 3A | 125 BPM | ||
| O Kith Hin Jain Te Manr Hani | Adeel Sanwal | F♯ Minor | 7 | 11A | 103 BPM | ||
| Pagal jhalle | Kanth Kaler | C Minor | 7 | 5A | 172 BPM | ||
| Aa Asadey Hal | Basit Naeemi | A♭ Minor | 9 | 1A | 102 BPM | ||
| Asan Dere Wal Sade Yar Dere Wal | Ahmad Nawaz Cheena | F♯ Major | 9 | 2B | 108 BPM | ||
| Aik Tu Howain | Shafa Ullah Khan Rokhri | B Minor | 6 | 10A | 150 BPM | ||
| Bewafa | Mazhar Rahi | F♯ Major | 9 | 2B | 112 BPM | ||
| Ghum | Rahim Shah | A♭ Major | 7 | 4B | 93 BPM | ||
| SAADY SANGI SALAMAT RAHAN | Tahir Nayyer | A♭ Minor | 8 | 1A | 94 BPM | ||
| Akhiyan Di Sohn | Nadeem Abbas Khan Lonay Wala | B Minor | 8 | 10A | 120 BPM | ||
| Sone Di Churi | Wajid Ali Baghdadi | A Major | 8 | 11B | 112 BPM | ||
| Main Kiun Na Naaz Dikhawan | Sharafat Ali Khan Baloch, Farah Lal | E♭ Minor | 10 | 2A | 80 BPM | ||
| Dhol Mian Wali Da | Tahir Khan Rokhri | E Major | 8 | 12B | 164 BPM | ||
| Allah Kainday Sang Na Toray | Sharafat Ali Khan | A♭ Major | 9 | 4B | 105 BPM | ||
| Maa | Mani Maan | E♭ Minor | 8 | 2A | 152 BPM | ||
| Dukhan Ja Pahar | Shaman Ali Mirali | F♯ Major | 7 | 2B | 110 BPM | ||
| Yari Lagi Aye | Ajmal Sajid, Abida Hussain | F Minor | 9 | 4A | 150 BPM | ||
| Romantic Medley 2 | Sarmad Qadeer, Farhana Maqsood | B♭ Minor | 5 | 3A | 80 BPM |