Quartet in D Major, T.145: II. Rondo. Allegretto by Giuseppe Maria Cambini, Quartetto DuePiùDue Song Details

Giuseppe Maria Cambini, Quartetto DuePiùDue's ' "Quartet in D Major, T.145: II. Rondo. Allegretto" was released on its scheduled release date, August 7, 2015. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 12 in Cambini: 6 Flute Quartets by Giuseppe Maria Cambini, Quartetto DuePiùDue. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, Quartet in D Major, T.145: II. Rondo. Allegretto's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

BPM and Tempo

The tempo marking of Quartet in D Major, T.145: II. Rondo. Allegretto by Giuseppe Maria Cambini, Quartetto DuePiùDue is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

Music Key

This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -19.359 dB
Acousticness: 98%
Danceability: 46%
Energy: 12%
Instrumentalness: 88%
Liveness: 6%
Loudness: 68%
Speechiness: 4%
Valence: 46%

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