Molly Johnson's 'If I Were A Bell' had a release date set for January 1, 2008. The duration of This song is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. If I Were A Bell's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Molly Johnson's "Lucky" album is number 12 out of 12. On top of that, Canada appears to be the country where this track was created. In terms of popularity, If I Were A Bell is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of If I Were A Bell by Molly Johnson to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| My Baby Just Cares For Me | Térez Montcalm | D Major | 3 | 10B | 128 BPM | ||
| California Dreamin' | Clare Teal, Alan Barnes, John Day, Martin Litton, Nils Solberg, Rod Brown | A Minor | 2 | 8A | 82 BPM | ||
| Nothing's Really Changed | Robin McKelle & The Flytones | D♭ Major | 6 | 3B | 130 BPM | ||
| Spooky | Andrea Balducci | B♭ Minor | 4 | 3A | 204 BPM | ||
| When I Close My Eyes | Lizz Wright | F Major | 4 | 7B | 90 BPM | ||
| It's All Right with Me (with Biréli Lagrène Gipsy Project) | Sara Lazarus | G Minor | 5 | 6A | 107 BPM | ||
| Paris In The Rain | Sarah McKenzie | D Major | 3 | 10B | 130 BPM | ||
| Just a Gigolo | Matthieu Boré | G Minor | 4 | 6A | 72 BPM | ||
| The Lady Wants to Know | Leo Sidran | F♯ Major | 4 | 2B | 106 BPM | ||
| Let's Do It | Erin Boheme | E♭ Major | 2 | 5B | 71 BPM | ||
| I Will Wait for You | Lisa Lovbrand | F Minor | 6 | 4A | 173 BPM | ||
| Ode To Billie Joe | Molly Johnson | B♭ Minor | 5 | 3A | 122 BPM | ||
| I Love Being Here With You | Carol Welsman | D Major | 4 | 10B | 129 BPM | ||
| Stop | Molly Johnson | D Major | 5 | 10B | 95 BPM | ||
| Back to My Room | Club des Belugas | B Minor | 4 | 10A | 76 BPM | ||
| A Sunday Kind Of Love | Ruth Cameron | C Minor | 2 | 5A | 126 BPM | ||
| Centerpiece | Roberta Gambarini | D♭ Major | 4 | 3B | 120 BPM | ||
| Pretty Blue | Kevin Mahogany, Rudi Mille | D Minor | 3 | 7A | 83 BPM | ||
| When a Man Loves a Woman | Michael Stephenson, Alexander Claffy, Benny Benack III | A♭ Major | 3 | 4B | 106 BPM | ||
| Summertime | Molly Johnson | E Minor | 3 | 9A | 134 BPM | ||
| Miss You | Jacqui Naylor | A Minor | 6 | 8A | 167 BPM | ||
| Big Time | Cæcilie Norby | G Major | 5 | 9B | 112 BPM | ||
| What a Difference a Day Made | Suss von Ahn | C Minor | 3 | 5A | 96 BPM | ||
| Bittersweet | Club des Belugas, Lene Riebau | G Minor | 3 | 6A | 73 BPM | ||
| What You Won’t Do For Love | Indra Rios-Moore | F Minor | 1 | 4A | 135 BPM |