Larry Marshall's ' "Shirley" was released on its scheduled release date, 1975. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Shirley's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Larry Marshall's "I Admire You" album is number 3 out of 14. On top of that, United States appears to be the country where this track was created. Based on our statistics, Shirley's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Shirley by Larry Marshall to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jam Up, Jam Down | The Main Attractions | F♯ Minor | 6 | 11A | 77 BPM | ||
| Africa | Leroy Smart | F Minor | 5 | 4A | 134 BPM | ||
| Rumours of Love | Winston Reedy | G Major | 5 | 9B | 78 BPM | ||
| Those Guys | The Sensations | A♭ Major | 3 | 4B | 81 BPM | ||
| Behold I Come | Culture | C Major | 6 | 8B | 150 BPM | ||
| Madness | Mighty Maytones | F♯ Major | 5 | 2B | 79 BPM | ||
| No Time to Lose | Earth & Stone | E Minor | 5 | 9A | 131 BPM | ||
| Natty Dread in a Greenwich Farm | Cornell Campbell | A♭ Major | 6 | 4B | 79 BPM | ||
| Secretly | Hortense Ellis | G Major | 4 | 9B | 84 BPM | ||
| Don't Let Babylon Use You | Fred Locks | G Major | 7 | 9B | 129 BPM | ||
| Madness (Bonus Track) | The Maytones | F♯ Major | 4 | 2B | 79 BPM | ||
| Sorrel | Sol Fiyah | C Major | 7 | 8B | 84 BPM | ||
| Walk with Love | Jimmy London | E Minor | 5 | 9A | 93 BPM | ||
| Sorry For The Man | Black Uhuru | F♯ Minor | 8 | 11A | 131 BPM | ||
| Hey Stranger | Freddie McKay | D♭ Minor | 5 | 12A | 137 BPM | ||
| I Man | Freddie McKay | G Major | 5 | 9B | 131 BPM | ||
| Wide Awake In A Dream | Barry Biggs | B Minor | 7 | 10A | 131 BPM | ||
| God Bless the Day | Mighty Maytones | G Major | 5 | 9B | 85 BPM | ||
| Feeling Soul - '75 Cut | Bob Andy | C Major | 3 | 8B | 138 BPM | ||
| Show & Tell | Freddie McKay | B♭ Minor | 3 | 3A | 167 BPM | ||
| Since I've Been Away | Jimmy London | C Major | 6 | 8B | 77 BPM | ||
| Got to Change Your Ways | Jimmy London | C Major | 3 | 8B | 139 BPM | ||
| Darling Forever | The Clarendonians | C Major | 2 | 8B | 74 BPM | ||
| Remember Me | Junior Byles, Rupert Reid | B♭ Minor | 5 | 3A | 135 BPM | ||
| Good Foundation | The Gladiators | B♭ Minor | 5 | 3A | 130 BPM |