Proclamation (After Lasst Uns Erfreuen) by Alfred Reed, Concordia University Chicago Wind Symphony, Richard R. Fischer Song Details

"Proclamation (After Lasst Uns Erfreuen)" by Alfred Reed, Concordia University Chicago Wind Symphony, Richard R. Fischer had its release date on September 6, 2011. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Richard R. Fischer's "If Thou Be Near" album is number 11 out of 11. On top of that, United States appears to be the country where this track was created. Proclamation (After Lasst Uns Erfreuen) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of Proclamation (After Lasst Uns Erfreuen) by Alfred Reed, Concordia University Chicago Wind Symphony, Richard R. Fischer to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Music Key

C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -16.117 dB
Acousticness: 98%
Danceability: 17%
Energy: 12%
Instrumentalness: 89%
Liveness: 8%
Loudness: 73%
Speechiness: 3%
Valence: 5%

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