"Opening Credits (Main Title)" by Toru Takemitsu had its release date on September 30, 2016. The duration of This song is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Opening Credits (Main Title)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Ran (Original Motion Picture Soundtrack)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Opening Credits (Main Title)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Opening Credits (Main Title) by Toru Takemitsu having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| White Landscapes, Op. 47a: III. Disappearance of Snow. Largo | Takashi Yoshimatsu, Sachio Fujioka, Manchester Camerata, John Barrow, Kate Wilson, Jonathan Price | G Major | 0 | 9B | 94 BPM | ||
| Sarabande for Guitar, FP 179 | Francis Poulenc, Nash Ensemble | E Minor | 0 | 9A | 87 BPM | ||
| Moments of Poetry and Music: No. 2, Melody, Post scriptum | Valentin Silvestrov, Inna Galatenko, Oleg Bezborodko, Lithuanian National Symphony Orchestra, Christopher Lyndon-Gee | A Minor | 0 | 8A | 65 BPM | ||
| Riessler: Family Affair | Michael Riessler, Sabine Meyer, Trio Di Clarone | C Major | 0 | 8B | 74 BPM | ||
| 6 Friends: For Rosemary | Ned Rorem, Carolyn Enger | N/A | N/A | N/A | 0 BPM | ||
| Quatuor pour la fin du Temps: I. Liturgie de cristal | Olivier Messiaen, Louise Bessette, Cameron Crozman, Dominic Desautels, Mark Lee | D♭ Major | 0 | 3B | 109 BPM | ||
| Concierto para Piano y Orquesta No. 2, "de los Lienzos Olvidados": I. Evanescente - Live | Ramón Paus, Eduardo Fernandez, Orquesta de Extremadura, Iván López Reynoso | C Major | 1 | 8B | 119 BPM | ||
| Toward the Sea: I. The Night | Toru Takemitsu, Alexej Gerassimez, NDR Radiophilharmonie, Gordon Hamilton | A♭ Major | 0 | 4B | 105 BPM | ||
| Samoa (1968) for flute, horn, trumpet, harp, vibraphone, piano, and Cello: I | Morton Feldman, Ensemble Recherche | C Major | 0 | 8B | 72 BPM | ||
| 12 Ländler, Op. 2: No. 3, Andantino | Maria Herz, Aude St-Pierre | G Major | 0 | 9B | 94 BPM | ||
| Schubert / Orch. Mahler: String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden": II. Andante con moto | Franz Schreker, Camerata Academica Salzburg/Franz Welser-Möst, Franz Welser-Möst, Camerata Salzburg | A Major | 0 | 11B | 80 BPM | ||
| Die Geschichte Eines Unbekannten Schauspielers (The Story of the Unknown Actor): Thema - Titelmusik | Alfred Schnittke, Berlin Radio Symphony Orchestra, Frank Strobel | F Major | 0 | 7B | 70 BPM | ||
| Jūra, MKČ 102: V. Recapitulation | Mikalojus Konstantinas Čiurlionis, Lithuanian National Symphony Orchestra, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | ||
| Concerto for Violin & Orchestra in D Major, Op. 35: II. Romance. Andante | Erich Wolfgang Korngold, Tassilo Probst, Thessaloniki State Symphony Orchestra, Daniel Geiss | D♭ Major | 0 | 3B | 109 BPM | ||
| Suite en miniature, Op. 1: IV. Menuetto | Vitezslava Kaprálová, Appassionato, Mathieu Herzog | G Major | 2 | 9B | 168 BPM | ||
| Pavane And Variations | Antonio de Cabezón, Ángel Padilla Crespo | F♯ Minor | 1 | 11A | 82 BPM | ||
| Adam Zero: Approach of Autumn | Arthur Bliss, English Northern Philharmonia, David Lloyd-Jones | D Minor | 0 | 7A | 128 BPM | ||
| Lamentation / Chaos in the First Castle - Ujigabana / Illusions in the Sky | Toru Takemitsu | A♭ Minor | 1 | 1A | 73 BPM | ||
| Passacaglia & Fugue in C Minor, BWV 582 (Arr. for Orchestra by Sir Andrew Davis): II. Fugue | Johann Sebastian Bach, BBC Philharmonic, Sir Andrew Davis | E♭ Major | 0 | 5B | 73 BPM | ||
| Small Sky (Version for Mixed Choir) | Toru Takemitsu, SWR Vokalensemble Stuttgart, Marcus Creed | F Major | 0 | 7B | 85 BPM | ||
| Valse lente | Germaine Tailleferre, Dario Müller | G Major | 0 | 9B | 66 BPM | ||
| Zwei Dialoge mit Nachwort: I. Hochzeitswalzer | Valentin Silvestrov, Alexei Lubimov, Munich Chamber Orchestra, Christoph Poppen | F♯ Major | 0 | 2B | 175 BPM | ||
| Piano Concerto, Op. 67 "Memo Flora": II. Petals. Andante | Takashi Yoshimatsu, Sachio Fujioka, Manchester Camerata, Kyoko Tabe | G Minor | 0 | 6A | 130 BPM | ||
| Turangalîla-Symphonie: IV. Chant d'amour 2 | Olivier Messiaen, Yuja Wang, Cécile Lartigau, Boston Symphony Orchestra, Andris Nelsons | D♭ Major | 5 | 3B | 87 BPM | ||
| Dream Colored Mobile II, Op. 58a | Takashi Yoshimatsu, Sachio Fujioka, Manchester Camerata, Joe Houghton, Kate Wilson | B♭ Major | 0 | 6B | 67 BPM |