"The Horrid" by Lead Hands had its release date on January 18, 2011. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Lead Hands's "Lead Hands" album is number 7 out of 10. On top of that, United States appears to be the country where this track was created. Based on our statistics, The Horrid's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of The Horrid by Lead Hands to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Youth, Too Late | Idlehands | F♯ Minor | 9 | 11A | 155 BPM | ||
| Utah | Emarosa | D♭ Major | 10 | 3B | 100 BPM | ||
| Home Is Right out Your Window - EP Version | Paper Rival | E♭ Minor | 9 | 2A | 163 BPM | ||
| This Is It, This Is It | As Cities Burn | E♭ Minor | 10 | 2A | 170 BPM | ||
| Passengers of Youth | Gatherers | E Minor | 9 | 9A | 160 BPM | ||
| Honestly, Really? | Six Gallery | F♯ Minor | 6 | 11A | 82 BPM | ||
| We Are All Believers | In League | F Minor | 10 | 4A | 178 BPM | ||
| A Satire of a Satire of a Satire Is Tiring | A Lot Like Birds | F♯ Minor | 10 | 11A | 114 BPM | ||
| Tape | Gatherers | D♭ Major | 10 | 3B | 148 BPM | ||
| To Listen & Say Nothing | Artifex Pereo | F Minor | 10 | 4A | 75 BPM | ||
| 108 | Gatherers | C Major | 9 | 8B | 147 BPM | ||
| Wounds Like Wires | We Never Learned To Live | F Minor | 9 | 4A | 92 BPM | ||
| No Nature | A Lot Like Birds | C Minor | 10 | 5A | 125 BPM | ||
| Mellow Christ | Idlehands | F♯ Minor | 8 | 11A | 157 BPM | ||
| Facility In Under 2:05 | The Messenger | E Minor | 9 | 9A | 157 BPM | ||
| From Moon to Son | A Lot Like Birds | D Minor | 9 | 7A | 145 BPM | ||
| I Have No Answers | From Indian Lakes | A♭ Minor | 9 | 1A | 150 BPM | ||
| Catalina Blue | Body Thief | G Minor | 8 | 6A | 150 BPM | ||
| Cars | Lower Definition | A♭ Major | 10 | 4B | 165 BPM | ||
| Annica | Artifex Pereo | B♭ Minor | 10 | 3A | 76 BPM | ||
| Bad Dreams | Trophy Scars | B Minor | 8 | 10A | 134 BPM | ||
| Perfect Mistake | Amarionette | D♭ Major | 9 | 3B | 180 BPM | ||
| Becoming Closer to Closure | Of Machines | A Minor | 9 | 8A | 130 BPM | ||
| Solidarity | In Angles | E♭ Major | 8 | 5B | 120 BPM | ||
| Time Is Fiction | Edison Glass | E Major | 9 | 12B | 127 BPM |