"The Retribution" by Sarah Schachner had its release date on November 4, 2016. The duration of This song is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. The Retribution's duration is considered a little bit shorter than the average duration of a typical track. The song is number 25 out of 29 in Call of Duty: Infinite Warfare (Original Soundtrack) by Sarah Schachner. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, The Retribution's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Retribution by Sarah Schachner is Allegro (fast, quick, and bright), since this song has a tempo of 141 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Beginning | Gustaf Grefberg, Sam Hulick | F Major | 0 | 7B | 69 BPM | ||
| Leaving It All Behind | Sam Hulick | D Major | 0 | 10B | 80 BPM | ||
| Beatiful Mirage - What Was Lost | Ludvig Forssell | C Minor | 0 | 5A | 62 BPM | ||
| Black Ice | Ben Frost | F Major | 1 | 7B | 75 BPM | ||
| Beyond Life | Revolt Production Music | C Major | 4 | 8B | 120 BPM | ||
| His Soul Was Free from Sin | Dan Romer | D♭ Major | 9 | 3B | 93 BPM | ||
| Extent | Pawel Blaszczak | C Major | 2 | 8B | 120 BPM | ||
| As Long as We Can Fight | Dan Romer | G Major | 0 | 9B | 72 BPM | ||
| Ghosts of Void | Keith Power | D♭ Major | 2 | 3B | 77 BPM | ||
| The Island | Gabriel Lander | D♭ Major | 4 | 3B | 132 BPM | ||
| They Finally Meet Their Fate | Dan Romer | D♭ Major | 9 | 3B | 187 BPM | ||
| Oh, Caroline | Mick Gordon | C Minor | 1 | 5A | 171 BPM | ||
| I Live - Electronic Version | Brian Tuey | D Major | 3 | 10B | 120 BPM | ||
| Tensions Rising | Michael McCann | F♯ Minor | 5 | 11A | 120 BPM | ||
| Exfiltrate the Hotzone | Ludvig Forssell | D♭ Major | 6 | 3B | 102 BPM | ||
| Drop Point | Alex Rehberg, Facepunch Studios | F Minor | 0 | 4A | 180 BPM | ||
| Sentient Tombs | Keith Power | G Major | 8 | 9B | 114 BPM | ||
| Odin | David Buckley | G Minor | 3 | 6A | 97 BPM | ||
| Commander of the Ausmerzer | Martin Stig Andersen | G Major | 4 | 9B | 131 BPM | ||
| The Broken Road | Nathan Whitehead | D Major | 3 | 10B | 174 BPM | ||
| Crossroads - Connor | Nima Fakhrara | E♭ Major | 1 | 5B | 92 BPM | ||
| Done | Pawel Blaszczak | F Major | 4 | 7B | 147 BPM | ||
| On the Edge | Pawel Blaszczak | C Major | 4 | 8B | 180 BPM | ||
| Rapid Adaptation | Keith Power | D♭ Major | 9 | 3B | 155 BPM | ||
| Come Hither | J.D. Spears | D♭ Major | 1 | 3B | 90 BPM |