Rudolf Kattnigg, Das grosse Wiener Rundfunkorchester, Max Schönherr's 'Bel Ami, Act III: Finale' had a release date set for September 5, 2014. With This song being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Rudolf Kattnigg, Das grosse Wiener Rundfunkorchester, Max Schönherr, Per Grunden, Gerda Scheyrer's "Kattnigg: Bel Ami" album is number 38 out of 38. On top of that, Germany appears to be the country where this track was created. Bel Ami, Act III: Finale is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Bel Ami, Act III: Finale by Rudolf Kattnigg, Das grosse Wiener Rundfunkorchester, Max Schönherr to be Larghetto (rather broadly) because the track has a tempo of 66 BPM, a half-time of 33BPM, and a double-time of 132 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Donausagen, op. 446 | Carl Michael Ziehrer, Vienna Walzer Orchestra, Sandro Cuturello | G Major | 2 | 9B | 96 BPM | ||
| Arrivederci, Roma | Renato Rascel, Jonathan Antoine, Julian Reynolds | C Major | 1 | 8B | 82 BPM | ||
| Die Fledermaus, Act II: Couplet. Ich lade gern mir Gäste ein (Orlofsky) | Johann Strauss II, Friedrich Haider, Natascha Petrinsky, WDR Rundfunkorchester Köln | F Major | 4 | 7B | 117 BPM | ||
| Lohengrin, WWV 75 / Act 3: In fernem Land, unnahbar euren Schritten | Richard Wagner, James King, Karl Ridderbusch, Bavarian Radio Symphony Orchestra, Rafael Kubelík, Bavarian Radio Chorus, Heinz Mende | E♭ Major | 4 | 5B | 124 BPM | ||
| Maria Stuarda / Act 1: "Qui si attenda" | Gaetano Donizetti, Bavarian Radio Chorus, Munich Radio Orchestra, Giuseppe Patanè | B♭ Major | 3 | 6B | 127 BPM | ||
| Dies Bildnis ist bezaubernd schön | Fritz Wunderlich | E♭ Major | 1 | 5B | 131 BPM | ||
| Rigoletto, Act I: Partite? Crudele! | Giuseppe Verdi, Francesco Demuro, Eglė Šidlauskaitė, Tomas Pavilionis, Dmitri Hvorostovsky, Kaunas State Choir, Kaunas City Symphony Orchestra, Constantine Orbelian | A♭ Major | 1 | 4B | 106 BPM | ||
| Bel Ami, Act II: "Wir bummeln durch die ganze Stadt" (Albert, Bel Ami) | Rudolf Kattnigg, Das grosse Wiener Rundfunkorchester, Max Schönherr, Wolfgang Dauscha, Per Grunden | A Major | 2 | 11B | 123 BPM | ||
| Carmen / Act 3: Si tu m'aimes, Carmen... | Georges Bizet, Christine Barbaux, Agnes Baltsa, Jane Berbié, José van Dam, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | B♭ Minor | 1 | 3A | 85 BPM | ||
| Wagner: Lohengrin, Act 1: "Nun höret mich und achtet wohl! (Herald, Lohengrin, Frederick, Henry, Elsa, Ortrud, Chorus) | Richard Wagner, Daniel Barenboim, Emily Magee, Falk Struckmann, Peter Seiffert, René Pape, Roman Trekel, Staatskapelle Berlin | F Major | 1 | 7B | 81 BPM | ||
| La Gioconda / Act 2: Stella del marinar! | Amilcare Ponchielli, Agnes Baltsa, National Philharmonic Orchestra, Bruno Bartoletti | D Major | 2 | 10B | 90 BPM | ||
| Presssacklied | Martin Frank | E♭ Major | 4 | 5B | 85 BPM | ||
| Wiener Blut (operetta): Stoß an! | Johann Strauss II, Rita Bartos, Sandor Konya, Herta Talmar, Willy Hofmann, Peter Alexander, Chor, Franz Marszalek, Kölner Rundfunkorchester | E♭ Major | 4 | 5B | 175 BPM | ||
| Sadko, Scene 4: Song of the Hindu Merchant (Hindu Merchant) | Nikolai Rimsky-Korsakov, Gennady Rozhdestvensky, Philharmonia Orchestra, Sergej Larin | C Major | 0 | 8B | 81 BPM | ||
| Amado Mio | Paul Potts | F Minor | 4 | 4A | 67 BPM | ||
| Bel Ami, Act II: "Für den einen ist die Liebe trallala" (Clothilde) | Rudolf Kattnigg, Das grosse Wiener Rundfunkorchester, Max Schönherr, Christel Mardayn | D Minor | 1 | 7A | 66 BPM | ||
| El barberillo de Lavapiés, Acto I: Marquesita, Don Luis, Paloma, Lamparilla y Coro General | Ataúlfo Argenta, Ana Maria Olaria, Teresa Berganza, Gran Orquesta Sinfonica, Carlos Munguia, Francisco Asenjo Barbieri, Coro De Camara Del Orfeon Donostiarra | F Major | 4 | 7B | 122 BPM | ||
| Das Land des Lächelns / Act 2: Dein ist mein ganzes Herz | Franz Lehár, Heinz Hoppe, Grosses Operetten Orchester, Franz Marszalek | A♭ Major | 3 | 4B | 175 BPM | ||
| Komm Zigan | Rudolf Schock | A Major | 3 | 11B | 106 BPM | ||
| Chausson: 2 Mélodies, Op. 36: No. 1, Cantique à l'épouse | Ernest Chausson, Gérard Souzay, Dalton Baldwin | F Major | 5 | 7B | 160 BPM | ||
| Lehár: La veuve joyeuse, Act I: Finale. "Cotillon, c'est l'heure du cotillon" - "C'est la valse, écoutez" | Franz Lehár, Yvon Leenart, André Mallabrera, Christos Grigoriou, Choeurs Rene Duclos, Jean Christophe Benoit, Michel Dens, Micheline Dax, Suzanne Lafaye, Orchestre De La Société Des Concerts Du Conservatoire | B Minor | 1 | 10A | 97 BPM | ||
| O Isis und Osiris (Die Zauberflöte) | Gottlob Frick, Berliner Symphoniker | F Major | 2 | 7B | 86 BPM | ||
| Weißt du, wieviel Sterne stehen? | Werner Hollweg | F♯ Major | 3 | 2B | 165 BPM | ||
| Gounod: Faust, CG 4, Act 2 Scene 5: No. 9, Valse et Choeur, (b) "Ne permettrez-vous pas ma belle demoiselle" (Faust, Marguerite, Siebel, Méphistophélès, Choeur) | Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Teil 9 - Folge 38: Professor van Dusen und die blutige Botschaft | Professor van Dusen, Michael Koser, Friedrich W. Bauschulte, Klaus Herm, Klaus Sonnenschein, Moritz Milar, Liane P. Rudolph, Otto Czarski, Susanne Lüpertz, Helmut Ahner, Klaus Jepsen | E♭ Major | 3 | 5B | 113 BPM |