Lusaint's 'New Rules - Acoustic' had a release date set for September 25, 2017. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Because this song is the only song in New Rules (Acoustic) and no other songs are present in the album, we classify this track as a single. In terms of popularity, New Rules - Acoustic is currently below average in popularity. Although the overall vibe is very danceable, it does project more negative sounds.
With New Rules - Acoustic by Lusaint having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Too Good at Goodbyes - Acoustic | Matt Johnson, Lusaint | F♯ Major | 4 | 2B | 160 BPM | ||
| Levitating - Acoustic | Megan Nicole | B Minor | 2 | 10A | 96 BPM | ||
| Seven Nation Army | Zella Day | D Major | 3 | 10B | 104 BPM | ||
| We Can't Stop | Halloran & Kate | A♭ Major | 7 | 4B | 117 BPM | ||
| I Still Haven't Found Found What I'm Looking For | Raye Mills | E♭ Major | 2 | 5B | 111 BPM | ||
| Nothing of You Left to Love - Acoustic Version | Stephanie Rainey | D♭ Major | 3 | 3B | 84 BPM | ||
| You Deserve Better | Mother's Daughter, Beck Pete | A♭ Minor | 2 | 1A | 150 BPM | ||
| No Tears Left To Cry | Isabella Celander | E♭ Major | 2 | 5B | 170 BPM | ||
| Sexual Healing | Ben Haenow | D♭ Minor | 3 | 12A | 83 BPM | ||
| Over The Rainbow | Two Worlds, Nick Voelker, Adiel Mitchell | C Major | 1 | 8B | 59 BPM | ||
| Do I Wanna Know? - Acoustic | Ben Weighill, Cloudsmiff | D Minor | 3 | 7A | 170 BPM | ||
| Love Me Like You Do | Gustavo Trebien | D♭ Minor | 2 | 12A | 93 BPM | ||
| I Try - Acoustic | Alex Francis | D Major | 4 | 10B | 105 BPM | ||
| Pretty Girl - Acoustic Version | Becca Adams | A♭ Major | 2 | 4B | 176 BPM | ||
| Back To You | J-Que Beenz | D♭ Major | 2 | 3B | 140 BPM | ||
| Wish I Didn't Miss You - Recorded At RAK Studios, London | Grace Carter | A Minor | 3 | 8A | 104 BPM | ||
| Passionfruit - Acoustic | River Paisley | A♭ Minor | 3 | 1A | 97 BPM | ||
| Moves Like Jagger | Alicia Paige | C Major | 4 | 8B | 130 BPM | ||
| Symphony - Acoustic | Thomas Daniel | G Major | 2 | 9B | 83 BPM | ||
| Wrecking Ball (Acoustic) | Two Worlds, Nick Voelker, Adiel Mitchell | C Major | 2 | 8B | 120 BPM | ||
| Big Girls Don't Cry | Nelly Hope | A Major | 6 | 11B | 92 BPM | ||
| Wonderwall | OSIS | F♯ Minor | 7 | 11A | 88 BPM | ||
| Sorry Seems to Be the Hardest Word - Acoustic | Molly Hocking | B♭ Minor | 2 | 3A | 122 BPM | ||
| I'm Yours - Acoustic | Lusaint | B Major | 3 | 1B | 144 BPM | ||
| I'm Gonna Be (500 Miles) - Acoustic | Lizzie Haynes | F♯ Major | 2 | 2B | 86 BPM |