Suede's 'Criminal Ways' had a release date set for September 5, 2025. The duration of This song is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Criminal Ways's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 11 in Antidepressants by Suede. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Criminal Ways's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Criminal Ways by Suede is Allegro (fast, quick, and bright), since this song has a tempo of 139 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Time Waits | Peter Murphy | A♭ Major | 8 | 4B | 160 BPM | ||
| The Other Me | Baxter Dury | G Major | 4 | 9B | 130 BPM | ||
| Acrylic Afternoons | Pulp | A Minor | 7 | 8A | 143 BPM | ||
| Night Light | White Lies | D Major | 10 | 10B | 134 BPM | ||
| Disaster | Ronboy, Matt Berninger | C Major | 7 | 8B | 87 BPM | ||
| Goodbye Sam, Hello Samaritans | Half Man Half Biscuit | G Major | 7 | 9B | 95 BPM | ||
| Deadly Love | Ash | E Major | 10 | 12B | 136 BPM | ||
| A Thousand And One | Biffy Clyro | E♭ Major | 6 | 5B | 132 BPM | ||
| I Danced with Another Love in My Dream | Brigitte Calls Me Baby | G Minor | 10 | 6A | 165 BPM | ||
| A Sunset | Pulp | C Major | 4 | 8B | 93 BPM | ||
| What! | Tom A. Smith | A Minor | 4 | 8A | 170 BPM | ||
| Dearest Amygdala | Biffy Clyro | A Minor | 8 | 8A | 135 BPM | ||
| Rawlplugs of Yesteryear (Breaking the States) | Half Man Half Biscuit | G Major | 7 | 9B | 95 BPM | ||
| Edwyn & Roddy | Blossoms | A Minor | 8 | 8A | 124 BPM | ||
| Keep Dreaming | Ash | A Major | 9 | 11B | 132 BPM | ||
| Trouble | The Enemy | A Major | 9 | 11B | 150 BPM | ||
| My Love | Miles Kane | A Minor | 8 | 8A | 79 BPM | ||
| Deeper And Deeper | The Charlatans | D Major | 6 | 10B | 148 BPM | ||
| I've Seen The Top Of The Mountain - Retold | Paul Draper | F Major | 6 | 7B | 140 BPM | ||
| Lion's Den | Midlake | E Minor | 6 | 9A | 138 BPM | ||
| Play Shadow | The Bluetones | E♭ Major | 6 | 5B | 188 BPM | ||
| Johnny Don't Be Scared | The Molotovs | G Major | 10 | 9B | 184 BPM | ||
| The Prey | Suede | E♭ Major | 8 | 5B | 152 BPM | ||
| Through The Looking Glass | The Clockworks | D Major | 9 | 10B | 165 BPM | ||
| DESIGNED TO LOSE | The Twilight Sad | A Major | 4 | 11B | 118 BPM |