"Overture" by Orvynx had its release date on October 28, 2025. The duration of This song is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Overture's duration is considered a little bit shorter than the average duration of a typical track. Since Overture only contains only one song in the album, we like to consider this song as a single. In terms of popularity, Overture is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Overture by Orvynx having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Deference for Darkness | Orvynx, Martin O'Donnell | A Major | 0 | 11B | 72 BPM | ||
| Voices of Solemnity | Michiel van den Bos | A Minor | 1 | 8A | 71 BPM | ||
| Knight in Training | Tumult Kollektiv | D♭ Minor | 3 | 12A | 178 BPM | ||
| From a Drop, a Flame | Austin Wintory | D♭ Minor | 2 | 12A | 99 BPM | ||
| Darkness Awakening | Martin Hall | G Major | 2 | 9B | 83 BPM | ||
| Okami | Toma Otowa | G Major | 5 | 9B | 112 BPM | ||
| Mist of K'un-Lun | NetEase Sound Team | B Minor | 6 | 10A | 105 BPM | ||
| Song for the Beyond | Evan Call | A Major | 2 | 11B | 96 BPM | ||
| OVERTURE | Lies of P | E Major | 1 | 12B | 69 BPM | ||
| Glowing Waters | Jonathan Geer | E Major | 1 | 12B | 145 BPM | ||
| Recursive Simulation | Paul Weir | D Minor | 3 | 7A | 180 BPM | ||
| Broken Silence | Myuu | D♭ Major | 0 | 3B | 73 BPM | ||
| Hunter's Dream | SIE Sound Team | A♭ Minor | 1 | 1A | 91 BPM | ||
| Skies Unknown | PROJECT ACES, Bandai Namco Game Music | E Minor | 0 | 9A | 72 BPM | ||
| Hellpods Primed | Wilbert Roget, II | B♭ Major | 5 | 6B | 108 BPM | ||
| 風音の村 クナファ ―豊穣期― (夜) | Akiyuki Morimoto | D Major | 0 | 10B | 107 BPM | ||
| From Past to Present | London Symphony Orchestra, London Voices, The Elder Scrolls | C Major | 0 | 8B | 72 BPM | ||
| The New World | Patrik Andrén, Johan Söderqvist, Embark Studios | F♯ Major | 3 | 2B | 110 BPM | ||
| Prompt Critical | Rotem Moav | C Minor | 4 | 5A | 82 BPM | ||
| Mission Review | Wilbert Roget, II | B♭ Major | 5 | 6B | 108 BPM | ||
| The Yeti Queen | Amos Roddy | D Minor | 3 | 7A | 106 BPM | ||
| Story | Mikołaj Kurpios | B Minor | 5 | 10A | 152 BPM | ||
| Southern Skies | Brendan Angelides, Assassin's Creed | G Major | 2 | 9B | 75 BPM | ||
| Quit Weed | Epic Mountain | G Minor | 4 | 6A | 95 BPM | ||
| Sky and Water | Laryssa Okada | D♭ Major | 3 | 3B | 146 BPM |