Shivkumar Sharma's 'Raga Bageshri -Vilambit Gat In Roopak Tala' had a release date set for April 13, 1992. This song appears to be safe for all ages as it is not explicit. The track order of this song in Shivkumar Sharma's "Icons of Indian Music - Pandit Shivkumar Sharma (Hindustani Classical)" album is number 4 out of 4. On top of that, India appears to be the country where this track was created. In terms of popularity, Raga Bageshri -Vilambit Gat In Roopak Tala is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Raga Bageshri -Vilambit Gat In Roopak Tala by Shivkumar Sharma to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Raga yaman kalyan : Alap | Imrat Khan | A♭ Major | 1 | 4B | 173 BPM | ||
| Nocturne | Mukta | G Major | 4 | 9B | 85 BPM | ||
| Shri Krishna Govind - Instrumental | Acoustic Trips | D Major | 4 | 10B | 92 BPM | ||
| Raga Misra Piloo in Tintal (16 beats) | Hariprasad Chaurasia, Shivkumar Sharma, Kashinath Mishra | D Major | 4 | 10B | 125 BPM | ||
| Aamar Mukti Aaloy Aaloy | Iman Halder | E♭ Major | 1 | 5B | 85 BPM | ||
| Tillana - Kapi | Doraiswamy Iyengar | F♯ Minor | 3 | 11A | 172 BPM | ||
| Raga kirvani : Râgamâlika - Vasanta-priyâ, khadyota-kânti | L. Subramaniam | E Major | 8 | 12B | 71 BPM | ||
| Romantic Dialogue | G.S. Sachdev | F Major | 0 | 7B | 79 BPM | ||
| Raga Yaman Alap | Shahid Parvez | D♭ Major | 1 | 3B | 79 BPM | ||
| Rang | Bickram Ghosh, Kala Ramnath, Rajhesh Vaidhya | C Major | 5 | 8B | 76 BPM | ||
| Raga Kirwani - Alap Gat - Teental | Iqubal Huein, Brij Narayan | E♭ Major | 7 | 5B | 120 BPM | ||
| Rāga: Kharaharapriya / Ālāpana | Ranganayaki Rajagopalan | F Minor | 1 | 4A | 77 BPM | ||
| Raga khafi | Lakshmi Shankar | F Minor | 1 | 4A | 94 BPM | ||
| Cosmos | G.S. Sachdev | F Major | 0 | 7B | 110 BPM | ||
| Shiv Kailash - Instrumental | Acoustic Trips | D♭ Major | 5 | 3B | 107 BPM | ||
| Shri Ram Jai Ram - Instrumental | Acoustic Trips | A♭ Minor | 4 | 1A | 80 BPM | ||
| Bhajan Vaishnav, Jana to tene kamije | Narsi Mehta, Ismail Sheikh, Linda Shanovitch, Baluji Shrivastav, Sarvar Sabri | B♭ Major | 6 | 6B | 122 BPM | ||
| Bhairav | Hariprasad Chaurasia | E Major | 1 | 12B | 134 BPM | ||
| Maharaj Eki Sajey Ele | Tejendra Majumdar | C Major | 5 | 8B | 117 BPM | ||
| Folk: Aadhi Taal, 8 Beats | Pandit Vinayak Vora, M. Kalyanaraman | A Major | 5 | 11B | 118 BPM | ||
| Sunand Bhairav - Teen Taal | Milind Date | A Minor | 6 | 8A | 134 BPM | ||
| Raga Mishra Pahadi - Gat in Sitarkhani Tal | Shafaat Ahmed Khan, Shivkumar Sharma | G Major | 7 | 9B | 174 BPM | ||
| Chandrachooda-Classical Instrumental Concert | Dr. Padmesh Parasuraman | B♭ Minor | 3 | 3A | 154 BPM | ||
| Guru Bandana (Prayer) | Ali Akbar Khan | C Major | 1 | 8B | 102 BPM | ||
| Todi - Instrumental | Ustad Bismillahkhan | E♭ Major | 4 | 5B | 148 BPM |