"Unused cue" by John Scott had its release date on December 2, 2016. With This song being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 24 in the song's album "Satan's Slave (The Original Motion Picture Soundtrack)". In this album, this song's track order is #24. Furthermore, we believe that the track originated from United Kingdom. Unused cue is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Unused cue by John Scott having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lully, Lullay | The Choir of All Saints' Episcopal Church | F Minor | 2 | 4A | 77 BPM | ||
| Lo! He Comes with Clouds Descending - Live | Traditional, Andrew Nethsingha, Choir of St. John's College, Cambridge | G Major | 3 | 9B | 76 BPM | ||
| Arvo Pärt: Bogoróditse Dévo | Arvo Pärt, Schola Cantorum, Tone Bianca Sparre Dahl | A Major | 1 | 11B | 100 BPM | ||
| We Three Kings | Philip Stopford, Truro Cathedral Choir, BBC National Orchestra Of Wales, Christopher Gray | E Minor | 1 | 9A | 111 BPM | ||
| Passion Week, Op. 58: VIII. The Wise Thief | Alexander Gretchaninov, Phoenix Bach Choir, Kansas City Chorale, Charles Bruffy, Caroline Markham, Paul Davidson, Bryan Taylor | A♭ Major | 0 | 4B | 65 BPM | ||
| Adoro Te Devote (Jesus, I Adore Thee) | Stephen Caracciolo, Cathedra, Michael McCarthy | C Minor | 1 | 5A | 91 BPM | ||
| With a Lily in Your Hand | Eric Whitacre, Adrian Kirtley, 2025 Chamber, Timber Creek HS Chamber | B Major | 1 | 1B | 77 BPM | ||
| Fields of Energy | John Scott, The KPM Orchestra | G Major | 4 | 9B | 137 BPM | ||
| Psalm 29 "Afferte Domino" | Henry George Ley, Andrew Lucas, John Scott, St. Paul's Cathedral Choir | B♭ Major | 1 | 6B | 75 BPM | ||
| Deep Peace | Elaine Hagenberg, BYU Singers, Andrew Crane, Lindsay Bastian, Hyrum Kohler, Sydnee Hinrichsen, Madeleine Riding, Charlie Jarvis | E Minor | 0 | 9A | 80 BPM | ||
| Psalm 134 "Ecce nunc" | James Turle, John Scott, St. Paul's Cathedral Choir, Huw Williams | D Minor | 1 | 7A | 76 BPM | ||
| III. Vivace e ritmico | John Rutter, The Cambridge Singers, John Scott, Gary Kettel, Eric Allen, The Philip Jones Brass Ensemble | E Minor | 0 | 9A | 143 BPM | ||
| Quis est homo | Kim André Arnesen, Haderslev Domkirkes Pigekor, Sønderjyllands Symfoniorkester, Thomas Berg-Juul | D Major | 2 | 10B | 113 BPM | ||
| The Reproaches | John Sanders, Michael Bloss, Choir of St John's, Elora, Noel Edison | G Minor | 0 | 6A | 138 BPM | ||
| Psalm 149 "Cantate Domino" | Charles Villiers Stanford, St. Paul's Cathedral Choir, Huw Williams, John Scott | F Major | 1 | 7B | 76 BPM | ||
| Lord For the Years | Blackburn Cathedral Choir, Greg Morris | C Major | 1 | 8B | 126 BPM | ||
| Psalm 141 "Domine, clamavi" | John Bertalot, St. Paul's Cathedral Choir, Huw Williams, John Scott | A♭ Major | 1 | 4B | 81 BPM | ||
| Sub Tuum Paesidium: Sub Tuum Præsidium Pour Sopranos, Altos Et Orgue | Michel Piquemal Vocal Ensemble, Eric Lebrun, Michel Piquemal, Guy Ropartz | E♭ Major | 1 | 5B | 77 BPM | ||
| Messe solennelle pour deux orgues et choeur, Op. 16: IV. Benedictus | Louis Vierne, Michel Bouvard | E Major | 0 | 12B | 94 BPM | ||
| The Approaching Storm | John Scott | E Major | 1 | 12B | 101 BPM | ||
| Out of This Darkness: No. 1, I Hold You | John Wykoff, Missouri State University Chorale, Cameron F. LaBarr, Parker Payne | C Major | 2 | 8B | 76 BPM | ||
| The Spectre's Bride, Op. 69, B. 135: No. 1, Už jedenáctá odbila (Choir) | Antonín Dvořák, Prague Philharmonia, Petr Altrichter, Český filharmonický sbor Brno, Petr Fiala | A Major | 1 | 11B | 73 BPM | ||
| O Perfect Love | Joseph Barnaby, Christopher Stokes, Gregory Batsleer | E♭ Major | 3 | 5B | 94 BPM | ||
| Psalm 40 "Exspectans exspectavi" | Basil Harwood, St. Paul's Cathedral Choir, John Scott, Andrew Lucas | B♭ Major | 1 | 6B | 75 BPM | ||
| O nata lux de lumine | Thomas Tallis, Alamire, David Skinner | G Minor | 2 | 6A | 76 BPM |