José Galván, Arcángel, Rafael Rodríguez, Manuel Salado's ' "Fandangos (154) [sólo Compás]" was released on its scheduled release date, January 1, 1998. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 16 out of 16 in Fandangos de Huelva (Sólo Compás) by José Galván, Arcángel, Rafael Rodríguez, Manuel Salado. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Based on our statistics, Fandangos (154) [sólo Compás]'s popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Fandangos (154) [sólo Compás] by José Galván, Arcángel, Rafael Rodríguez, Manuel Salado is Allegro (fast, quick, and bright), since this song has a tempo of 154 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bulerías a 12 (Medio Lento) - Compás de Estudio | Nasrine Rahmani | B♭ Minor | 3 | 3A | 170 BPM | ||
| Tangos | Jacobo Palma | A♭ Major | 5 | 4B | 88 BPM | ||
| Guajiras Baile Completo | Carmen Gamero, Jeromo Segura, Victor M. Rosa, Manuel Salado | A Major | 6 | 11B | 101 BPM | ||
| Colombianas: Primer Bloque | El Trini, Victor M. Rosa, Rafael García, Mariló García, Lurdes García | F Minor | 5 | 4A | 91 BPM | ||
| La Mañana | Rafael Cortés | D Major | 5 | 10B | 75 BPM | ||
| Farruca Sólo Compás 144 | José Galván, Manuela Ríos | B Minor | 1 | 10A | 144 BPM | ||
| Las Alas Del Corazón - Tangos | Fosforito | E Minor | 6 | 9A | 84 BPM | ||
| Miel y Sal | Diego Amador | A♭ Major | 6 | 4B | 165 BPM | ||
| Tangos (Lento) - Compás de Estudio | Nasrine Rahmani | B Minor | 8 | 10A | 110 BPM | ||
| Lenta con Cante | Solo Compas | D♭ Major | 4 | 3B | 120 BPM | ||
| Azul Azabache (Bulería) | David de Arahal, Ramón Porrina | C Minor | 3 | 5A | 97 BPM | ||
| Lenta con Cante | Solo Compas | D♭ Major | 4 | 3B | 130 BPM | ||
| Quien Critica a una Mujer | Perlita de Huelva | G Major | 5 | 9B | 73 BPM | ||
| Que Toquen a Rebato: Soleares | Aurelio Sellés | E♭ Minor | 1 | 2A | 59 BPM | ||
| Guajiras: Cante y Guitarra | El Trini, Victor M. Rosa, Rafael García, Mariló García, Lurdes García | B♭ Major | 7 | 6B | 109 BPM | ||
| Otros Compases | Chiqui de Jerez | F Major | 7 | 7B | 105 BPM | ||
| Esperando el Porvenir | Joaquín El Zambo | B♭ Major | 2 | 6B | 134 BPM | ||
| El Búcaro (Serrana) | Alejandro Hurtado, David Domínguez | D Major | 5 | 10B | 100 BPM | ||
| Ritmo Por Bulerias | El Torombo | F♯ Major | 4 | 2B | 120 BPM | ||
| Bulerías = 200 | José Galván, Javier Barón, Juana Amaya | C Major | 10 | 8B | 172 BPM | ||
| Colombianas Baile Completo | Carmen Gamero, Manuel Salado, Juan María Real, Jeromo Segura | A Major | 7 | 11B | 85 BPM | ||
| Bulerías (Rápido) - Compás de Estudio | Nasrine Rahmani | B♭ Minor | 3 | 3A | 170 BPM | ||
| Al del Campo Lo Desprecia (feat. Pepe Habichuela & Antonio Sousa) - Soleá de Triana | El Cabrero, Pepe Habichuela, António Sousa | G Major | 3 | 9B | 84 BPM | ||
| Alegrías: Letra por Bulerías | Juan María Real, Ana Real, Manuel Salado | E Major | 4 | 12B | 77 BPM | ||
| Como Caballo Sin Freno | Camarón | E Major | 4 | 12B | 126 BPM |