Tallah's 'what we want' had a release date set for September 5, 2025. This song is quite longer than the average track at 4 minutes and 36 seconds. With that being said, this track is also considered explicit and may be offensive to some people. There are a total of 11 in the song's album "Primeval: Obsession // Detachment". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, what we want is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With what we want by Tallah having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bury Me With My Screams | Trivium | E Major | 10 | 12B | 108 BPM | ||
| Step Inside | Orthodox | C Major | 10 | 8B | 156 BPM | ||
| Clockworked | Stray From The Path, LANDMVRKS | D♭ Major | 10 | 3B | 96 BPM | ||
| No One Should Read This | Tallah | C Major | 10 | 8B | 124 BPM | ||
| Submit To Skin | Extortionist | B Major | 9 | 1B | 145 BPM | ||
| Bodies in the Dark | Stray From The Path, Poison The Well | D♭ Major | 9 | 3B | 163 BPM | ||
| Business as Usual | The Dali Thundering Concept | F Major | 10 | 7B | 110 BPM | ||
| SWAMP MENTALITY | The Acacia Strain | D♭ Major | 5 | 3B | 120 BPM | ||
| 07:09 | Tallah | A Minor | 6 | 8A | 174 BPM | ||
| Lie Between The Lines | Better Lovers | B♭ Major | 10 | 6B | 137 BPM | ||
| Dystopian Vermin | Revocation | F♯ Major | 10 | 2B | 113 BPM | ||
| Aftermath Of Broken Glass | Extortionist | B Major | 9 | 1B | 145 BPM | ||
| With Dirt From My Grave | Malevolence | F♯ Major | 10 | 2B | 112 BPM | ||
| Violent Heaven | Sugar Spine | E♭ Minor | 10 | 2A | 153 BPM | ||
| Be Not Dismayed | URNE | G Major | 10 | 9B | 138 BPM | ||
| Eye Bleach | Dropout Kings | F♯ Minor | 9 | 11A | 140 BPM | ||
| Jones | vianova, Chris Zuehlke | G Major | 9 | 9B | 110 BPM | ||
| Empty Handed | VIMIC | A Major | 9 | 11B | 106 BPM | ||
| Namesake | Catsclaw | F Minor | 10 | 4A | 125 BPM | ||
| Tears on Lambo Leather | The Callous Daoboys, Orthodox, Adam Easterling | D♭ Major | 10 | 3B | 90 BPM | ||
| Cycle Of Sin | Extortionist | B Major | 9 | 1B | 145 BPM | ||
| Schizophrenia Legacy | The Callous Daoboys | G Major | 9 | 9B | 172 BPM | ||
| Lithia | Mélancolia, Moodring | A Major | 7 | 11B | 100 BPM | ||
| The Ladder | Johnny Booth | G Major | 10 | 9B | 198 BPM | ||
| Time Disruption Footprint - Redux | Frontierer | D Major | 9 | 10B | 118 BPM |