Bhakta Raj Acharya, Swaroop Raj Acharya's ' "Hajar Aankha" was released on its scheduled release date, March 30, 2023. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Satyaraj Acharya, Swaroop Raj Acharya, Sapana Shree's "Mutu Jalirahechha" album is number 2 out of 10. On top of that, Norway appears to be the country where this track was created. Based on our statistics, Hajar Aankha's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Hajar Aankha by Bhakta Raj Acharya, Swaroop Raj Acharya to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Durge Deu Bhakti Malai | Bhakta Raj Acharya | D♭ Major | 6 | 3B | 82 BPM | ||
| Risaundani Aaphnai | Ram Krishna Dhakal | A♭ Minor | 8 | 1A | 123 BPM | ||
| Amar Praner Manush | Swapan Basu | C Major | 2 | 8B | 101 BPM | ||
| Kasaile Bhujana | Gyanu Rana | A Minor | 5 | 8A | 146 BPM | ||
| Eauta Tara | Natikaji | F Major | 3 | 7B | 147 BPM | ||
| Tehi Deuralima | Kandara Band | G Major | 10 | 9B | 100 BPM | ||
| Amaar Naiba Holo | Kumar Sanu | F♯ Minor | 3 | 11A | 143 BPM | ||
| Ye Ni Parana | Raju Singh, Uday Sotang, Manila Sotang | A Major | 4 | 11B | 126 BPM | ||
| Kina Mann Hunchha | Sadhana Sargam | G Major | 6 | 9B | 118 BPM | ||
| Aparadh Garina | Madhukar Lohani, Bhakta Raj Acharya | C Major | 4 | 8B | 120 BPM | ||
| Ramakrishna Charan Saroje | Mahesh Ranjan Shome | F Major | 4 | 7B | 97 BPM | ||
| Hatat Amar Fele Asha | Sapan Chakraborty, Kavita Krishnamurthy | D Minor | 6 | 7A | 131 BPM | ||
| Keno Tumi badle Gechho | Akhil Bandhu Ghosh | G Minor | 5 | 6A | 124 BPM | ||
| Eakohoro Maya | Kamal Man Singh, Karna Das | D♭ Minor | 7 | 12A | 94 BPM | ||
| Hari Mon Mojaye | Manabendra Mukherjee | D♭ Major | 3 | 3B | 78 BPM | ||
| Meri Aama | Uday Sotang, Manila Sotang | F Major | 4 | 7B | 89 BPM | ||
| Dayal Thakur Anukul | Shankar Prasad Some | A Major | 3 | 11B | 138 BPM | ||
| Banirupe Rahiachho | Mahesh Ranjan Shome | G Major | 5 | 9B | 88 BPM | ||
| Oi Malatilata Dole | Srabani Sen | F Minor | 3 | 4A | 145 BPM | ||
| Namaana Laaja | Prem Dhoj Pradhan | F Major | 5 | 7B | 136 BPM | ||
| Eauta Manchhe Ko Maya Remake | Deepak Jangam, Narayan Gopal | B Minor | 9 | 10A | 81 BPM | ||
| Badal Banaideu | Deepak Kharel | D Major | 5 | 10B | 169 BPM | ||
| Rato Ra Chandra Surya | Phatteman | G Major | 5 | 9B | 155 BPM | ||
| Phewaataal Ko Aangan Ma | Prakash Shrestha | D Minor | 6 | 7A | 135 BPM | ||
| Mayalu Ma Timilai | Bhakta Raj Acharya | F Major | 5 | 7B | 126 BPM |