On 1984, the song "BLACK SKIN BOYS" was released by Reggae Regular. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Reggae Regular's "Ghetto Rock" album is number 4 out of 11. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, BLACK SKIN BOYS's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of BLACK SKIN BOYS by Reggae Regular to be Allegro (fast, quick, and bright) because the track has a tempo of 142 BPM, a half-time of 71BPM, and a double-time of 284 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sound Man Clash | Carlton Livingston | C Major | 5 | 8B | 153 BPM | ||
| Freely | Bob Andy | E Minor | 5 | 9A | 130 BPM | ||
| Trodding on Home | Pablo Gad | D♭ Major | 6 | 3B | 121 BPM | ||
| Rejoice | Capital Letters | C Minor | 8 | 5A | 128 BPM | ||
| Slavery Days | Noel Phillips | F♯ Major | 5 | 2B | 123 BPM | ||
| Hold On To What You Got | Michael Prophet | D♭ Minor | 5 | 12A | 74 BPM | ||
| I Love a City | Martin Campbell, Hi Tech Roots Dynamics | F♯ Minor | 3 | 11A | 124 BPM | ||
| Mr Sus Man | Black Slate, Keith Drumond | F Minor | 5 | 4A | 134 BPM | ||
| Can Better Really Come | Martin Campbell, Hi Tech Roots Dynamics | E Minor | 2 | 9A | 133 BPM | ||
| Jam It Again | Josey Wales | D Major | 4 | 10B | 132 BPM | ||
| Jah Golden Pen | Sylford Walker | A♭ Minor | 7 | 1A | 125 BPM | ||
| Proverbs Extractions | Pablo Moses | C Major | 5 | 8B | 139 BPM | ||
| Natty Dread A Trademan | Ranking Joe | F♯ Minor | 8 | 11A | 137 BPM | ||
| No Time to Lose | Earth & Stone | E Minor | 5 | 9A | 131 BPM | ||
| Darkness / Dubness | Black Uhuru | B Minor | 7 | 10A | 111 BPM | ||
| Natty Dread Come in a Dance | Anthony Johnson | B Major | 5 | 1B | 143 BPM | ||
| 2000 Years | Michael Prophet | B Minor | 6 | 10A | 140 BPM | ||
| Love and Only Love | Fred Locks, The Creation Steppers | A♭ Major | 5 | 4B | 114 BPM | ||
| The Intelligence of Her Mind | The Viceroys | A♭ Minor | 5 | 1A | 75 BPM | ||
| What a Bam Bam | Vivian Jones | B Minor | 4 | 10A | 124 BPM | ||
| Woman In The Dark | Cedric Myton, The Congos | G Minor | 4 | 6A | 138 BPM | ||
| Jailhouse - Vocal & Dub | Earl Cunningham | F♯ Minor | 4 | 11A | 132 BPM | ||
| Bodyguard - 2002 Digital Remaster | Mighty Diamonds | G Minor | 7 | 6A | 149 BPM | ||
| Terrorists In The City | Eek-A-Mouse | A Minor | 1 | 8A | 145 BPM | ||
| From Trenchtown to Zion | Echoes Of Babylon | A Minor | 4 | 8A | 133 BPM |