Splashdown's 'Beguiled Mark II' had a release date set for 1998. This song is about six minutes long, preciously at 5:32, making this song fairly long compared to other songs. The track order of this song in Splashdown's "Halfworld [Remastered]" album is number 5 out of 7. On top of that, United States appears to be the country where this track was created. In terms of popularity, Beguiled Mark II is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Beguiled Mark II by Splashdown to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Awaiting Eternity | Rose Chronicles | E Major | 7 | 12B | 102 BPM | ||
| This Face This Name | Maple Bee | C Minor | 8 | 5A | 132 BPM | ||
| Face Down | Airlock | F Minor | 6 | 4A | 108 BPM | ||
| The Lunatics Have Taken over the Asylum | Collide | A♭ Major | 8 | 4B | 115 BPM | ||
| Over The Wall | Splashdown | A♭ Minor | 1 | 1A | 91 BPM | ||
| Razor Sharp | Collide | A Minor | 8 | 8A | 144 BPM | ||
| Death Approaching the Girl | Mojave Phone Booth | A♭ Minor | 6 | 1A | 119 BPM | ||
| Thunder | Splashdown | E Major | 10 | 12B | 94 BPM | ||
| Flicker | Patti Rothberg | E Major | 6 | 12B | 107 BPM | ||
| Creeper (Coming For You) | Jakalope | E Minor | 9 | 9A | 132 BPM | ||
| Amazed | Poe | G Major | 5 | 9B | 89 BPM | ||
| Presumed Lost | Splashdown | C Major | 8 | 8B | 182 BPM | ||
| Morsecode | Halou | D♭ Minor | 4 | 12A | 120 BPM | ||
| Frozen | Collide | A Minor | 8 | 8A | 144 BPM | ||
| Prairie Dog | Laika | F♯ Major | 7 | 2B | 156 BPM | ||
| Outside | 21 Hertz | F♯ Minor | 4 | 11A | 150 BPM | ||
| Navy Bean | Tracy Bonham | C Major | 10 | 8B | 173 BPM | ||
| Do You Want to Fight Me? | Venus Hum | E Major | 7 | 12B | 120 BPM | ||
| If I Were a Boy | Roxy Saint | E Major | 6 | 12B | 110 BPM | ||
| Skin Hunger | Die So Fluid | G Major | 7 | 9B | 150 BPM | ||
| Exit Wound | Human Waste Project | G Major | 8 | 9B | 135 BPM | ||
| 2 Miles | 12 Rounds | E Major | 6 | 12B | 141 BPM | ||
| Crushed | Collide | B Minor | 9 | 10A | 124 BPM | ||
| Chainmail | Curve | G Major | 9 | 9B | 155 BPM | ||
| Kill the Messenger | Mojave Phone Booth | E♭ Minor | 8 | 2A | 159 BPM |