On January 1, 2001, the song "Gopal Krishna" was released by Falguni Pathak. This song is about six minutes long, preciously at 5:53, making this song fairly long compared to other songs. The song is number 5 out of 9 in Arpan (Vallabh Ke Charnarvind ) by Falguni Pathak. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Gopal Krishna is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Gopal Krishna by Falguni Pathak is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kanhaiya Tumhe Ek Nazar Dekhna Hai | Acharya Mridul Krishna Goswami | A♭ Major | 6 | 4B | 160 BPM | ||
| Naam Hai Tera Taran Hara. | Chetna | E Major | 4 | 12B | 100 BPM | ||
| Man Se Jo Sai Ka Gungan Karega | Paras Jain | B♭ Major | 5 | 6B | 91 BPM | ||
| Khatu Wala Leele Ghode Wala | Sanjay Mittal | F Minor | 6 | 4A | 100 BPM | ||
| Chimta Paunahari Da | Karnail Rana | B♭ Major | 7 | 6B | 94 BPM | ||
| Tere Phoolon Se Bhi Pyar | Aniruddhacharya Ji Maharaj, Media Waley | D♭ Minor | 7 | 12A | 79 BPM | ||
| Ghar Ghar Mein Mahima Teri (From "Ras Barse Tere Bhawan Mein") | Sonu Nigam | D Major | 7 | 10B | 103 BPM | ||
| Jal Bharan Janki Aai ho | Rakesh Tiwari | A♭ Major | 5 | 4B | 116 BPM | ||
| Fariyadi | Adarsh Dadhich | E♭ Major | 5 | 5B | 120 BPM | ||
| Jis Bhajan Mein Ram Ka Naam Na Ho | Anjali Jain | D Major | 5 | 10B | 90 BPM | ||
| Ram Tumhara Dham Chhodkar | Chandan Dass | F Minor | 4 | 4A | 99 BPM | ||
| Jara Itna Bata De | Manish Tiwari | A♭ Major | 4 | 4B | 127 BPM | ||
| Prabhu Apki Kripa Se | Chetna | A♭ Major | 5 | 4B | 110 BPM | ||
| Murli Vale Ne Chher Liye Panghat Gayi | Anjali Jain | F Minor | 7 | 4A | 88 BPM | ||
| Tere Sharan Aaye | Sonu Nigam | F♯ Major | 7 | 2B | 82 BPM | ||
| Maja Barsat Ka Chaho | Vinod Agarwal | F♯ Major | 7 | 2B | 92 BPM | ||
| BAWARI SABAL SINGH KI PAIDI | Ashu Verma | D♭ Major | 5 | 3B | 129 BPM | ||
| Ek Hari ko chhod | Manish Tiwari | B♭ Minor | 6 | 3A | 80 BPM | ||
| Sajna Tu Mat Jai Re | Falguni Pathak | G Major | 7 | 9B | 110 BPM | ||
| Sab Tirth Kar ke | NARAYANSWAMI | F Minor | 5 | 4A | 88 BPM | ||
| O Disda Ji Mere Babe Da Dwara | Karnail Rana | F♯ Major | 8 | 2B | 107 BPM | ||
| Ae Shyam Teri Murli | Alka Goyal | A♭ Major | 9 | 4B | 82 BPM | ||
| Shiv Shankar Maheshwaram | Mridul Krishan Shastri | A♭ Major | 6 | 4B | 79 BPM | ||
| Sakhi Ri Mohe Laaj Bairan Bhayi | Susmita Das | C Major | 6 | 8B | 148 BPM | ||
| Traditional Raag | Nayan Pancholi and Chorus | D Major | 6 | 10B | 100 BPM |