Roland Kirk Quartet's ' "On The Corner Of King And Scott Streets - Live At Club Montmarte, Copenhagen/1963" was released on its scheduled release date, December 16, 1990. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 125 in the song's album "Rahsaan: The Complete Mercury Recordings Of Roland Kirk". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. Based on our statistics, On The Corner Of King And Scott Streets - Live At Club Montmarte, Copenhagen/1963's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With On The Corner Of King And Scott Streets - Live At Club Montmarte, Copenhagen/1963 by Roland Kirk Quartet having a BPM of 150 with a half-time of 75 BPM and a double-time of 300 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Everything Happens To Me | Elvin Jones | A♭ Major | 3 | 4B | 112 BPM | ||
| Rosewood | Woody Shaw | B♭ Minor | 5 | 3A | 81 BPM | ||
| Serenata | Art Farmer & Benny Golson Jazztet | A♭ Major | 4 | 4B | 99 BPM | ||
| Blues For Gwen | McCoy Tyner Trio | F Minor | 3 | 4A | 108 BPM | ||
| La Salle St. After Hours | The John Wright Trio | F Minor | 2 | 4A | 85 BPM | ||
| Untitled Blues - Live At Club Montmarte, Copenhagen/1963 | Roland Kirk Quartet | G Minor | 4 | 6A | 138 BPM | ||
| Mevlevia | Gary Burton Quintet, Eberhard Weber | C Major | 3 | 8B | 123 BPM | ||
| Sombrero Sam | Charles Lloyd Quartet | C Major | 5 | 8B | 173 BPM | ||
| 'Round Midnight | Thelonious Monk Quartet | E♭ Minor | 4 | 2A | 136 BPM | ||
| Groovesville | Dizzy Reece | F Minor | 5 | 4A | 97 BPM | ||
| Native Land | Curtis Amy, Dupree Bolton | D Minor | 3 | 7A | 119 BPM | ||
| Flute Song / Hotel Me | Gil Evans | C Minor | 4 | 5A | 115 BPM | ||
| Autumn in New York | Chico Freeman, Cecil McBee, John Hicks, Billy Hart | F Major | 1 | 7B | 93 BPM | ||
| True Blue | Tina Brooks | F Minor | 5 | 4A | 119 BPM | ||
| You Stepped Out of a Dream | Anthony Braxton | C Major | 3 | 8B | 101 BPM | ||
| Evidence | Steve Lacy, Don Cherry | A♭ Major | 3 | 4B | 109 BPM | ||
| A Nice Day | Chico Hamilton Quintet, Buddy Collette | B♭ Major | 2 | 6B | 84 BPM | ||
| John Coltrane | Clifford Jordan | E Minor | 4 | 9A | 112 BPM | ||
| Softly As In A Morning Sunrise - Rudy Van Gelder 24Bit Mastering/Digital Remaster/1998 | Larry Young | F Minor | 7 | 4A | 117 BPM | ||
| Proclamation | Gil Evans | F♯ Major | 1 | 2B | 114 BPM | ||
| Mo' Joe | Joe Henderson Sextet | F Minor | 6 | 4A | 95 BPM | ||
| Let's Cool One | Thelonious Monk Quartet | F Minor | 3 | 4A | 128 BPM | ||
| The Geek | The Jazz Crusaders | F Major | 7 | 7B | 203 BPM | ||
| Peace | Chico Freeman, Cecil McBee, John Hicks, Billy Hart | F Major | 3 | 7B | 65 BPM | ||
| Three Way Split - Remastered 2000 / Rudy Van Gelder Edition | Hank Mobley | F Major | 7 | 7B | 145 BPM |