Curtis Stigers's ' "A Woman Just Like You" was released on its scheduled release date, January 1, 2007. With this song being around four minutes long, at 4:22, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Real Emotional". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. In terms of popularity, A Woman Just Like You is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With A Woman Just Like You by Curtis Stigers having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| California Dreamin' | Clare Teal, Alan Barnes, John Day, Martin Litton, Nils Solberg, Rod Brown | A Minor | 2 | 8A | 82 BPM | ||
| Fever | Pete Alderton | C Minor | 3 | 5A | 112 BPM | ||
| Taking a Chance on Love (with Biréli Lagrène Gipsy Project) | Sara Lazarus | G Major | 3 | 9B | 113 BPM | ||
| I Was Doing Alright | Sarah McKenzie | D Minor | 4 | 7A | 128 BPM | ||
| One At A Time | Rigmor Gustafsson | A Major | 4 | 11B | 172 BPM | ||
| Fool on the hill/Nature boy | Inger Marie Gundersen | E♭ Major | 0 | 5B | 119 BPM | ||
| Night and Day | Suss von Ahn | C Major | 2 | 8B | 118 BPM | ||
| The Bitter End | Sinne Eeg | E♭ Minor | 1 | 2A | 136 BPM | ||
| Corcovado | Sarah McKenzie | A Minor | 2 | 8A | 96 BPM | ||
| Cocktails for Two | Bria Skonberg | B♭ Major | 3 | 6B | 126 BPM | ||
| Summertime | Malene Mortensen | G Minor | 2 | 6A | 111 BPM | ||
| Song for you far away | Inger Marie Gundersen | C Major | 4 | 8B | 107 BPM | ||
| Not Quite | Heather Rigdon | G Major | 3 | 9B | 114 BPM | ||
| I Left My Heart in San Francisco | Jean Frye Sidwell | F Major | 1 | 7B | 108 BPM | ||
| Let's Call It A Day | Charlie Haden Quartet West, Ruth Cameron | C Major | 3 | 8B | 114 BPM | ||
| Will You Still Love Me Tomorrow | Liane Carroll | G Minor | 2 | 6A | 181 BPM | ||
| Suddenly It's Love | Lindsey Brier | F Major | 4 | 7B | 125 BPM | ||
| From the Inside Out | Lauren Henderson, Leo Sidran, Mark Dover, Michael Thurber | D Minor | 3 | 7A | 105 BPM | ||
| Our Love Will Always Be There | Diane Schuur | A♭ Minor | 4 | 1A | 111 BPM | ||
| A California | Nighthawks | A Minor | 4 | 8A | 126 BPM | ||
| Autumn Leaves | Manhattan Jazz Quartett, Debbie Davis | A Minor | 5 | 8A | 91 BPM | ||
| My Deep Blue Ways | Chris Rea | F Major | 4 | 7B | 126 BPM | ||
| La última toma | Ravexon | D Minor | 2 | 7A | 97 BPM | ||
| Slow | Ann Hampton Callaway | A Minor | 2 | 8A | 105 BPM | ||
| Willow Weep For Me | Ruth Cameron | E♭ Major | 2 | 5B | 175 BPM |