"Best Comes to Best - Live" by Matt Geraghty Project, Zé Luis had its release date on December 18, 2015. With This song being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "Trade Winds: Cuba". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. Based on our statistics, Best Comes to Best - Live's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Best Comes to Best - Live by Matt Geraghty Project, Zé Luis having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Can’t Hide Love | Miho Hazama | B♭ Minor | 6 | 3A | 144 BPM | ||
| ジェット気流 | Choro Club feat. Senoo | D Major | 5 | 10B | 176 BPM | ||
| Take Five | Stanley Clarke, Patrice Rushen, Ndugu Chancler | D♭ Major | 6 | 3B | 132 BPM | ||
| Subrosa | Till Brönner | D Minor | 2 | 7A | 82 BPM | ||
| Geo Rose | Tony Williams | C Major | 7 | 8B | 114 BPM | ||
| Djemeregne | Akalé Wubé | E Major | 4 | 12B | 145 BPM | ||
| The Griot | Henry Franklin, Adrian Younge, Ali Shaheed Muhammad | E Minor | 8 | 9A | 80 BPM | ||
| Bliss | The Circling Sun | B♭ Minor | 7 | 3A | 95 BPM | ||
| Soul Eyes | Matt Geraghty Project | A♭ Major | 1 | 4B | 97 BPM | ||
| St. Thomas | Özdemir Erdoğan | A♭ Major | 4 | 4B | 99 BPM | ||
| Someday Soon Sweet Samba | Abdullah Ibrahim | D Major | 6 | 10B | 123 BPM | ||
| Lomsha | Hadouk Trio, Didier Malherbe, Loy Ehrlich | D Minor | 2 | 7A | 126 BPM | ||
| C Jam Blues | Kenny Banks Jr. | A♭ Major | 4 | 4B | 46 BPM | ||
| Prayer For Jimbo Kwesi | Art Ensemble Of Chicago | D Major | 1 | 10B | 105 BPM | ||
| Zapateao | Malpaís | A Minor | 5 | 8A | 126 BPM | ||
| Patinete Rami Rami | Letieres Leite Quinteto, Marcelo Galter, Ldson Galter, Tito Oliveira, Luizinho do Jêje, Letieres Leite | B♭ Minor | 6 | 3A | 106 BPM | ||
| Feel Like Making Love / Night Crawler | Bob James | A♭ Major | 4 | 4B | 94 BPM | ||
| スピーク・アワ・ランゲージ? | Satoru Shionoya | C Major | 4 | 8B | 98 BPM | ||
| You can say that again (Vinyl Version) | Alex Moretti Project | D♭ Major | 4 | 3B | 92 BPM | ||
| Porto da Madeira | Hermeto Pascoal, Ajurinã Zwarg, Andre Marques, Fabio Pascoal, Itiberê Zwarg, Jota P | A♭ Major | 5 | 4B | 145 BPM | ||
| In My Garage | Esbjörn Svensson Trio | F Minor | 6 | 4A | 100 BPM | ||
| Sevilla | Matt Geraghty Project | D Major | 6 | 10B | 107 BPM | ||
| Theme from Legacy! (Pt. 1) | Ruby Rushton | F Major | 7 | 7B | 157 BPM | ||
| About Ghosts | Mary Halvorson | G Major | 5 | 9B | 131 BPM | ||
| It Ain't Necessarly So (Interlude) | Herbie Hancock | A Major | 2 | 11B | 138 BPM |