Best Comes to Best - Live
Matt Geraghty Project, Zé Luis
Trade Winds: Cuba
1:20 December 18, 2015
BPM
120
Key
D Minor
Camelot
7A

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Best Comes to Best - Live by Matt Geraghty Project, Zé Luis Song Details

"Best Comes to Best - Live" by Matt Geraghty Project, Zé Luis had its release date on December 18, 2015. With This song being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "Trade Winds: Cuba". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. Based on our statistics, Best Comes to Best - Live's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

BPM and Tempo

With Best Comes to Best - Live by Matt Geraghty Project, Zé Luis having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Music Key

This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-12.393 dB
Acousticness
69%
Danceability
49%
Energy
47%
Instrumentalness
65%
Liveness
8%
Loudness
79%
Speechiness
4%
Valence
8%

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ISRC
ushm81578837
Label
L-M Records/RCA Records