John Murphy's 'Approaching the Beach' had a release date set for August 6, 2021. With This song being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 23 in the song's album "The Suicide Squad (Score from the Original Motion Picture Soundtrack)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. The popularity of Approaching the Beach is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Approaching the Beach by John Murphy having a BPM of 205 with a half-time of 102 BPM and a double-time of 410 BPM, we would consider this track to have a Prestissimo (even faster than presto) tempo marking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Red Flag | John Murphy | A Minor | 1 | 8A | 83 BPM | ||
| The Odyssey Trailer Music - Epic Version | PianoPrinceOfAnime | C Major | 5 | 8B | 116 BPM | ||
| Luminous and Unstoppable (As Featured in "Captain Marvel" Official Trailer) | Aleksandar Dimitrijevic | F Major | 7 | 7B | 160 BPM | ||
| 7573' | Marco Beltrami | E Minor | 1 | 9A | 181 BPM | ||
| End Credits | Junkie XL | E Minor | 9 | 9A | 86 BPM | ||
| The Alpha | Sarah Schachner | D Major | 1 | 10B | 138 BPM | ||
| 407.7 You Are The Storm | Mac Quayle | F Major | 3 | 7B | 94 BPM | ||
| Reborn | Colin Stetson | D♭ Major | 2 | 3B | 133 BPM | ||
| Andor Season 2 End Credits Music | Jamie Evans Music | A Minor | 4 | 8A | 60 BPM | ||
| Home | David Fleming | D Major | 7 | 10B | 86 BPM | ||
| Love, Disorderly (The Equalizer 3 Edit) | Thomas Azier | D♭ Major | 3 | 3B | 118 BPM | ||
| Something Like a Sun | David Fleming, John Murphy | D Major | 7 | 10B | 86 BPM | ||
| Wars of Faith | Audiomachine | C Minor | 4 | 5A | 91 BPM | ||
| Praxis | Totem | B♭ Major | 6 | 6B | 51 BPM | ||
| John's Walk | Jamin Winans | F Major | 6 | 7B | 95 BPM | ||
| Mind Heist: Evolution | Zack Hemsey | F Minor | 5 | 4A | 122 BPM | ||
| You're Not One of Them | John Ottman | A Minor | 1 | 8A | 61 BPM | ||
| Lois & Clark | John Murphy | D Major | 7 | 10B | 86 BPM | ||
| Prophecies | Philip Glass | D Minor | 0 | 7A | 70 BPM | ||
| Sunshine (Adagio in D Minor) | John Murphy | G Major | 3 | 9B | 72 BPM | ||
| Panoramic | Atticus Ross | B Major | 2 | 1B | 82 BPM | ||
| Really Pissed Off (End Credits) | Tyler Bates, Joel J. Richard | G Major | 7 | 9B | 175 BPM | ||
| Ludwig | Volker Bertelmann | G Minor | 2 | 6A | 85 BPM | ||
| For Those We Never Meet - Bonus Track | Max Aruj, Alfie Godfrey | D Major | 2 | 10B | 115 BPM | ||
| Rescue Continues | Rupert Gregson-Williams | E Minor | 4 | 9A | 122 BPM |