"Cracking The Russian Codes" by James Horner had its release date on December 11, 2001. The duration of This song is about 3 minutes long, at 3:21. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 16 in A Beautiful Mind (Original Motion Picture Soundtrack) by James Horner. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Cracking The Russian Codes is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cracking The Russian Codes by James Horner is Presto (very, very fast), since this song has a tempo of 181 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gates of Tomorrow | Abel Korzeniowski | F♯ Major | 3 | 2B | 83 BPM | ||
| Refuge | Coby Brown | F♯ Minor | 1 | 11A | 87 BPM | ||
| End Credits - From "Serenity" | David Newman | G Major | 4 | 9B | 84 BPM | ||
| Main Title | Jerry Goldsmith | A Major | 1 | 11B | 94 BPM | ||
| Borden Meets Sarah | The Prestige | E Minor | 1 | 9A | 74 BPM | ||
| Spotting the Herd | John Barry | D♭ Minor | 1 | 12A | 77 BPM | ||
| Ben | Trevor Rabin | C Major | 1 | 8B | 119 BPM | ||
| Tim's Eyes | Angelo Milli | B Minor | 0 | 10A | 105 BPM | ||
| La Verdad | Fernando Velázquez | D Major | 0 | 10B | 103 BPM | ||
| The Second Story | Mychael Danna | E Minor | 0 | 9A | 138 BPM | ||
| Farewell Aragog | Nicholas Hooper | G Major | 0 | 9B | 82 BPM | ||
| The Wedding - Instrumental | James Horner | D Major | 0 | 10B | 134 BPM | ||
| A Normal Family | Jóhann Jóhannsson | A Minor | 2 | 8A | 74 BPM | ||
| Suite from Poldark | Anne Dudley, The Chamber Orchestra Of London | A Minor | 2 | 8A | 84 BPM | ||
| Nuclear Scam | Basil Poledouris | G Major | 3 | 9B | 135 BPM | ||
| Trouble At Home | Andrea Guerra | A Major | 1 | 11B | 104 BPM | ||
| Mayflies - From "Our Planet" | Steven Price | F♯ Major | 3 | 2B | 108 BPM | ||
| Becoming Porcelain | Anne Dudley, The Chamber Orchestra Of London | A Minor | 2 | 8A | 169 BPM | ||
| Finale - Dragonheart/Soundtrack Version | Randy Edelman | C Major | 2 | 8B | 64 BPM | ||
| Resurgam | Anne Dudley, The Chamber Orchestra Of London | F Minor | 2 | 4A | 49 BPM | ||
| Trinity Definitely | Don Davis | B♭ Minor | 1 | 3A | 69 BPM | ||
| In Search Of The Grail | Trevor Jones | D Minor | 1 | 7A | 57 BPM | ||
| Okinawa Battlefield | Rupert Gregson-Williams | E Minor | 2 | 9A | 110 BPM | ||
| Jimmy's Anguish | Clint Eastwood | C Major | 1 | 8B | 81 BPM | ||
| Austerlitz | Jan A.P. Kaczmarek | D♭ Major | 3 | 3B | 179 BPM |