Marco Beltrami's 'Dual Terminator' had a release date set for June 24, 2003. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 21 in the song's album "Terminator 3: Rise Of The Machines (Original Motion Picture Soundtrack)". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. Based on our statistics, Dual Terminator's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dual Terminator by Marco Beltrami having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Godfrey | Marc Streitenfeld | F♯ Minor | 2 | 11A | 157 BPM | ||
| Suite from X2 | John Ottman | B♭ Major | 2 | 6B | 82 BPM | ||
| So Long Superman | John Ottman | A Minor | 2 | 8A | 137 BPM | ||
| Leaving for the Trial | Atli Örvarsson | C Minor | 1 | 5A | 134 BPM | ||
| Treesome | Buck Sanders, Marco Beltrami | B Major | 1 | 1B | 75 BPM | ||
| Team Player | Marco Beltrami, Buck Sanders | A Minor | 3 | 8A | 140 BPM | ||
| I Can't Hear You | Rupert Gregson-Williams | E Minor | 1 | 9A | 136 BPM | ||
| The Animus | Jed Kurzel | A Major | 4 | 11B | 130 BPM | ||
| Where to? | Marco Beltrami, Pete Anthony | F♯ Major | 4 | 2B | 106 BPM | ||
| Groot Cocoon | Tyler Bates | A♭ Major | 3 | 4B | 139 BPM | ||
| Hope (Xavier's Theme) | John Ottman, Jeffrey Schindler, American Federation of Musicians | A Minor | 1 | 8A | 132 BPM | ||
| The Mountains | David Julyan | G Major | 2 | 9B | 79 BPM | ||
| The Dark Knight Triumphant / End Titles | Christopher Drake | A Major | 3 | 11B | 101 BPM | ||
| Lockhouse | Thomas Newman | G Major | 3 | 9B | 97 BPM | ||
| Make History | Danny Bensi and Saunder Jurriaans | E Minor | 0 | 9A | 80 BPM | ||
| Planet 4/Main Theme | Jed Kurzel | B♭ Minor | 2 | 3A | 56 BPM | ||
| Cops | Stephen Rennicks | E♭ Minor | 1 | 2A | 126 BPM | ||
| No Man's Land | Rupert Gregson-Williams | E Minor | 5 | 9A | 98 BPM | ||
| The RIP | Clinton Shorter | F♯ Major | 2 | 2B | 122 BPM | ||
| But At What Cost? | Blake Neely | E Major | 2 | 12B | 75 BPM | ||
| The Battle Room | Steve Jablonsky | G Minor | 3 | 6A | 138 BPM | ||
| Beck Gets Up | Dario Marianelli | A Major | 1 | 11B | 56 BPM | ||
| Overheating | Atli Örvarsson | F Minor | 5 | 4A | 160 BPM | ||
| Goja V | Jeff Russo | F♯ Major | 2 | 2B | 122 BPM | ||
| Antiphon | Nicholas Britell | C Minor | 4 | 5A | 150 BPM |