Shirley Murdock's ' "A Woman's Point of View" was released on its scheduled release date, May 31, 1988. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 11 in A Woman's Point Of View by Shirley Murdock. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, A Woman's Point of View is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of A Woman's Point of View by Shirley Murdock is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Slow Wine | Tony! Toni! Toné! | D♭ Minor | 5 | 12A | 75 BPM | ||
| After The Pain | Betty Wright | C Major | 5 | 8B | 172 BPM | ||
| Understanding | Xscape | G Major | 5 | 9B | 138 BPM | ||
| Stay the Night | Men At Large | A Major | 6 | 11B | 156 BPM | ||
| Unconditional Love | Hi-Five | F Minor | 8 | 4A | 148 BPM | ||
| Fortunate | Maxwell | B♭ Minor | 4 | 3A | 126 BPM | ||
| Don't U Wanna Make Love | Christopher Williams | A♭ Major | 4 | 4B | 75 BPM | ||
| Lately | Surface | E Major | 3 | 12B | 141 BPM | ||
| Can I? | David Peaston | A♭ Major | 3 | 4B | 123 BPM | ||
| Nights Like This | After 7 | A♭ Major | 6 | 4B | 97 BPM | ||
| House Keeper | Men of Vizion | F♯ Minor | 4 | 11A | 143 BPM | ||
| When You Touch Me | Skyy | B Major | 3 | 1B | 113 BPM | ||
| Just Once, Once More, Three Times | Rome | A Major | 4 | 11B | 110 BPM | ||
| Whip Appeal - 12-inch Version | Babyface | B Minor | 5 | 10A | 73 BPM | ||
| Up on the Roof | II D'Extreme | B Minor | 5 | 10A | 107 BPM | ||
| Love's Train | Con Funk Shun | F♯ Major | 7 | 2B | 124 BPM | ||
| The Morning After | Alexander O'Neal | G Minor | 6 | 6A | 140 BPM | ||
| Dream That Would Not Die | Shirley Murdock | A♭ Major | 6 | 4B | 118 BPM | ||
| Always | Pebbles | A♭ Minor | 6 | 1A | 170 BPM | ||
| I Love Me Some Him | Toni Braxton | F Minor | 5 | 4A | 112 BPM | ||
| Be Free | Shirley Murdock | A Minor | 7 | 8A | 122 BPM | ||
| Try Again | Champaign | B♭ Major | 6 | 6B | 128 BPM | ||
| Everlasting Love | Rufus, Chaka Khan | A♭ Minor | 4 | 1A | 165 BPM | ||
| I Apologize | Ann Nesby | F Major | 4 | 7B | 79 BPM | ||
| If Only You Knew | Patti LaBelle | E Major | 4 | 12B | 133 BPM |