"Epilogue (from "Terminator: Dark Fate")" by London Music Works had its release date on October 7, 2022. With This song being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in London Music Works's "Music From the Terminator Movies" album is number 17 out of 17. On top of that, United Kingdom appears to be the country where this track was created. Epilogue (from "Terminator: Dark Fate") is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Epilogue (from "Terminator: Dark Fate") by London Music Works to be Larghetto (rather broadly) because the track has a tempo of 61 BPM, a half-time of 30BPM, and a double-time of 122 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sacrifice | Steve Jablonsky | D Minor | 1 | 7A | 89 BPM | ||
| Backfire - From “Spectre” Soundtrack | Thomas Newman | C Minor | 5 | 5A | 146 BPM | ||
| Arrival To Earth - From "Transformers | London Music Works | G Minor | 4 | 6A | 83 BPM | ||
| Moonlight Sonata (Epic Trailer Version) | Hidden Citizens | D Minor | 6 | 7A | 150 BPM | ||
| Victory | London Music Works | A♭ Major | 6 | 4B | 171 BPM | ||
| Star Wars: The Force Awakens - Trailer Theme | AtinPiano | B Major | 2 | 1B | 49 BPM | ||
| Fearful Odds | M83, Anthony Gonzalez, Joseph Trapanese | F Minor | 4 | 4A | 120 BPM | ||
| Fireworks | Nicholas Hooper | D Major | 5 | 10B | 100 BPM | ||
| Burning Books | Harald Kloser | E Minor | 0 | 9A | 111 BPM | ||
| Sisters | Ceyran Huseynova, Feirn Mont | D Major | 2 | 10B | 90 BPM | ||
| Main Titles - Letters from Iwo Jima | Kyle Eastwood and Michael Stevens | D Minor | 1 | 7A | 101 BPM | ||
| Strength of a Thousand Men | Thomas Bergersen, Two Steps from Hell | E Minor | 6 | 9A | 97 BPM | ||
| Open the Door | Ludwig Göransson | G Minor | 1 | 6A | 57 BPM | ||
| Odyssey | Hi-Finesse | D Minor | 4 | 7A | 135 BPM | ||
| Shawshank Redemption | Thomas Newman | F♯ Major | 0 | 2B | 82 BPM | ||
| Like A River Around A Rock | Marco Beltrami | G Major | 3 | 9B | 120 BPM | ||
| Captain America | Henry Jackman | F Minor | 3 | 4A | 153 BPM | ||
| Oppenheimer Trailer Music - Epic Version | Jamie Evans Music | D♭ Major | 3 | 3B | 120 BPM | ||
| I Am The Doctor | Murray Gold | B Major | 2 | 1B | 61 BPM | ||
| 7573' | Marco Beltrami | E Minor | 1 | 9A | 181 BPM | ||
| The Avengers | Alan Silvestri | G Major | 6 | 9B | 119 BPM | ||
| Coronation | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | C Major | 4 | 8B | 87 BPM | ||
| Magneto - From "X-Men: First Class" | Henry Jackman, London Music Works | A♭ Major | 7 | 4B | 85 BPM | ||
| Submerge the Ship (USS Arkansas Theme) | Trevor Morris | E Minor | 7 | 9A | 79 BPM | ||
| DC Legends of Tomorrow | Blake Neely, Simon Rhodes, Toby Pitman | E Minor | 7 | 9A | 72 BPM |