"Today" by Ian Moore had its release date on June 27, 1995. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Ian Moore's "Modernday Folklore" album is number 3 out of 13. On top of that, United States appears to be the country where this track was created. Based on our statistics, Today's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Today by Ian Moore to be Allegro (fast, quick, and bright) because the track has a tempo of 132 BPM, a half-time of 66BPM, and a double-time of 264 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Monday Afternoon | Ian Moore | D Major | 7 | 10B | 162 BPM | ||
| She Loves Me Not | Selwyn Birchwood | A Major | 8 | 11B | 113 BPM | ||
| Just Like New | Eric Johanson | D Major | 9 | 10B | 134 BPM | ||
| Game On | The Rides | F Major | 8 | 7B | 127 BPM | ||
| Easy Distance | Albert Castiglia | B♭ Minor | 7 | 3A | 160 BPM | ||
| Long Hard Road - Vinyl edition | Reckoners | A Major | 9 | 11B | 131 BPM | ||
| Satisfied | Ian Moore | E Major | 7 | 12B | 180 BPM | ||
| Try To Find It | Jacquelyn Baxter | G Minor | 8 | 6A | 117 BPM | ||
| Grace in Shadows | Stephen Mojo | E Major | 6 | 12B | 119 BPM | ||
| Get Your Ass in the Van | Albert Castiglia | D Major | 10 | 10B | 118 BPM | ||
| UpSide Of Lonely | Foghat | B♭ Minor | 7 | 3A | 111 BPM | ||
| River of Oblivion | Eric Johanson | F Major | 6 | 7B | 141 BPM | ||
| Morning Song | Ian Moore | A Major | 2 | 11B | 126 BPM | ||
| Second Line | Billy F Gibbons | C Major | 8 | 8B | 116 BPM | ||
| I Should Know Better | Mark Selby | D Major | 9 | 10B | 204 BPM | ||
| I'll Be Waiting | Indigenous | A♭ Major | 8 | 4B | 168 BPM | ||
| Wontcha Tell Me | Alastair Greene | E Minor | 8 | 9A | 93 BPM | ||
| Doing Too Much | Ronnie Baker Brooks, 'Big Head' Todd Mohr | A Major | 7 | 11B | 89 BPM | ||
| Bigger Wheel | Stephen Bruton | F Minor | 9 | 4A | 175 BPM | ||
| Crack at the Bottle | Quaker City Night Hawks | D Major | 8 | 10B | 101 BPM | ||
| Ave Maria: Motet for Choir and Organ | Carl Rütti, Cambridge Voices, Ian Moore, Anne Page | G Major | 3 | 9B | 74 BPM | ||
| Outta Love - Vinyl edition | Reckoners | D Major | 9 | 10B | 90 BPM | ||
| Don't Wanna Bring You Down | Trigger Hippy | B Major | 9 | 1B | 188 BPM | ||
| Painted On | The Fabulous Thunderbirds | B♭ Major | 4 | 6B | 110 BPM | ||
| Disappointing Ourselves | Scotty Bratcher | E Major | 9 | 12B | 97 BPM |