"En vain pour éviter (Carmen)" by Rise Stevens, Metropolitan Opera Orchester had its release date on August 24, 2006. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Rise Stevens's "Lebendige Vergangenheit - Risë Stevens" album is number 12 out of 15. The popularity of En vain pour éviter (Carmen) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of En vain pour éviter (Carmen) by Rise Stevens, Metropolitan Opera Orchester to be Vivace (lively and fast) because the track has a tempo of 175 BPM, a half-time of 88BPM, and a double-time of 350 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Si tu m'aimes, Carmen (Carmen) | Robert Merrill, RCA Victor Orchestra, Rise Stevens | E Minor | 3 | 9A | 92 BPM | ||
| Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | C Major | 3 | 8B | 93 BPM | ||
| Orfeo ed Euridice, Wq. 30: Act III: Aria: "Avvezza al contento" | Christoph Willibald Gluck, Pierre Monteux | A Major | 1 | 11B | 93 BPM | ||
| Introduction / Summertime: My man's gone now | George Gershwin, Robert Merrill, Rise Stevens, Robert Shaw Chorale, RCA Victor Orchestra, Robert Russell Bennett | G Minor | 2 | 6A | 89 BPM | ||
| All Thro' the Night (Welsh Carol) | Traditional, Rise Stevens | G Major | 3 | 9B | 172 BPM | ||
| Hamlet, Act II: O vin, dissipe la tristesse | Ambroise Thomas, Dmitri Hvorostovsky, Andrey Azovsky, Dmitry Kuznetsov, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | B♭ Major | 3 | 6B | 170 BPM | ||
| Linda di Chamonix: O luce di quest' anima | Gaetano Donizetti, Olga Peretyatko, Miguel Gomez-Martinez | F Major | 2 | 7B | 114 BPM | ||
| L'elisir d'amore / Act I: Come Paride vezzoso | Gaetano Donizetti, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin | F Major | 2 | 7B | 73 BPM | ||
| Il bacio | Luigi Arditi, Edita Gruberova, Radio Sinfonieorchester Stuttgart des SWR, Kurt Peter Eichhorn | G Major | 1 | 9B | 172 BPM | ||
| O cessate di piagarmi | Alessandro Scarlatti, Ramón Vargas | A Minor | 2 | 8A | 84 BPM | ||
| Because You're You | Rise Stevens | G Major | 3 | 9B | 172 BPM | ||
| Werther / Act 3: "Pourquoi me réveiller, ô souffle du printemps?" | Jonas Kaufmann, Jules Massenet, Prague Philharmonic Orchestra, Marco Armiliato | F♯ Minor | 3 | 11A | 89 BPM | ||
| Offenbach: La Belle Hélène, Act 2: Duo. "C'est le ciel qui m'envoie" (Hélène, Pâris) | Jacques Offenbach, Marc Minkowski, Felicity Lott, Yann Beuron, Les Musiciens du Louvre | E Major | 1 | 12B | 90 BPM | ||
| Così fan tutte, K. 588 / Act I: "Come scoglio" | Wolfgang Amadeus Mozart, Miah Persson, Chamber Orchestra of Europe, Yannick Nézet-Séguin | F Major | 1 | 7B | 125 BPM | ||
| Pagliacci, Act I: Prologue: Si puo? Si puo? | Ruggero Leoncavallo, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | G Minor | 1 | 6A | 93 BPM | ||
| Carmen (Act I, Sequedille) | Agnes Baltsa | D Major | 2 | 10B | 112 BPM | ||
| 7 Variations on "Happy Birthday": Var. 2, Romantic | Howard Arman, Bavarian Radio Chorus, Munich Radio Orchestra | F♯ Major | 2 | 2B | 59 BPM | ||
| Louise (1997 Digital Remaster): Depuis le jour où je me suis donnée | Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre | G Major | 1 | 9B | 95 BPM | ||
| Samson et Dalila, Op. 47: Act I: Printemps qui commence (Dalila, Vieillard) | Camille Saint-Saëns, Rise Stevens, Mario del Monaco, Martial Singher, Norman Scott, Giorgio Tozzi, Robert Nagy, Gabor Carelli, Osie Hawkins, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, Anonymous, Fausto Cleva | E♭ Major | 5 | 5B | 121 BPM | ||
| Cavalleria rusticana: "Voi lo sapete, o mama" (Romanza) | Pietro Mascagni, Julia Varady, Ida Bormida, National Philharmonic Orchestra, Gianandrea Gavazzeni | E Major | 1 | 12B | 101 BPM | ||
| Bellini: I Puritani, Act 2: "Qui la voce sua soave" (Elvira) | Vincenzo Bellini, Maria Callas, Arturo Basile, Orchestra Sinfonica Di Torino Della Rai | A♭ Major | 2 | 4B | 95 BPM | ||
| Die Fledermaus, Act II: Couplet. Ich lade gern mir Gäste ein (Orlofsky) | Johann Strauss II, Friedrich Haider, Natascha Petrinsky, WDR Rundfunkorchester Köln | F Major | 4 | 7B | 117 BPM | ||
| Cavalleria rusticana: Gli aranci olezzano sui verdi margini | Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | A Major | 1 | 11B | 69 BPM | ||
| The Snow Maiden / Prologue: "S podruzhami po yagoda khodit" (The Snow Maiden's Aria) | Nikolai Rimsky-Korsakov, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | E Major | 2 | 12B | 129 BPM | ||
| Donizetti: Don Pasquale, Act 1: "So anch'io la virtù magica" (Norina) | Gaetano Donizetti, Riccardo Muti, Mirella Freni, Philharmonia Orchestra | B♭ Major | 2 | 6B | 77 BPM |