"Music for String Orchestra, Op. 39: Ausklang - Live" by Helmut Rogl, Sinfonia Christkönig, Eduard Matscheko had its release date on March 15, 2022. The duration of This song is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Music for String Orchestra, Op. 39: Ausklang - Live's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Helmut Rogl, Various Artists's "Helmut Rogl: Orchestral Works" album is number 10 out of 14. On top of that, Austria appears to be the country where this track was created. In terms of popularity, Music for String Orchestra, Op. 39: Ausklang - Live is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Music for String Orchestra, Op. 39: Ausklang - Live by Helmut Rogl, Sinfonia Christkönig, Eduard Matscheko to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphonic Miniatures, Op. 54: Festmusik - Live | Helmut Rogl, Sinfonia Christkönig, Eduard Matscheko | G Major | 1 | 9B | 139 BPM | ||
| Conserva a Paz, Ó Minha Alma | Diego Adinolfi | F Major | 1 | 7B | 87 BPM | ||
| マスカレード・ホテル 〜エンドタイトル〜 | Naoki Sato | F Major | 5 | 7B | 180 BPM | ||
| Gayaneh, Ballet Suite: Gayaneh's Adagio | Aram Khachaturian, Bolshoi Theatre Orchestra, Yevgeny Svetlanov | A Major | 1 | 11B | 105 BPM | ||
| Double Bass Concerto, Op. 3: III. Allegro | Serge Koussevitzky, Iván Sztankov, Budapest Symphony Orchestra, Janos Kovacs | D Major | 2 | 10B | 170 BPM | ||
| Crisantemi | Brodsky Quartet | F♯ Minor | 0 | 11A | 75 BPM | ||
| La fuerza del destino | Juan Pablo Fernández Ramos | A Minor | 1 | 8A | 120 BPM | ||
| Snow White: IV. Magic Mirror | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov, Nikolay Donskoy | G Major | 2 | 9B | 78 BPM | ||
| Tristan und Isolde, WWV 90: Prelude (Arr. Humperdinck for Ensemble) | Richard Wagner, KammerMusikKöln | D Minor | 2 | 7A | 115 BPM | ||
| Concerto for String Orchestra: I. Allegro | Grażyna Bacewicz, Capella Bydgostiensis, Mariusz Smolij | C Major | 2 | 8B | 125 BPM | ||
| Seeing Through Ghosts (Theme from The Awakening) | Daniel Pemberton | B♭ Minor | 9 | 3A | 128 BPM | ||
| Adagio for Strings, Op. 11 | Samuel Barber, Thomas Bowes, Malmö Opera Orchestra, Joseph Swensen | B♭ Minor | 0 | 3A | 85 BPM | ||
| Elegy (In Memoriam Stephen Lawrence) | Philip Herbert, Chineke! Orchestra, Anthony Parnther | C Major | 0 | 8B | 100 BPM | ||
| Hibernacle | Viviane Audet, Robin-Joël Cool, Alexis Martin | C Minor | 1 | 5A | 80 BPM | ||
| When I Am Laid in Earth | Henry Purcell, United Strings of Europe, Julian Azkoul | G Minor | 0 | 6A | 83 BPM | ||
| DANCE: III. in the middle of the fighting | Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | A Minor | 1 | 8A | 82 BPM | ||
| String Quartet No. 8 in F Major, K. 168: II. Andante | Wolfgang Amadeus Mozart, Hagen Quartett | D Major | 3 | 10B | 85 BPM | ||
| Var. 6, Adagio | Pyotr Ilyich Tchaikovsky, Li-wei Qin, Czech Philharmonic Chamber Orchestra, Michael Halasz | D Minor | 0 | 7A | 80 BPM | ||
| Nocturne | Anatoli Brandukov, Jens Peter Maintz, Lithuanian Chamber Orchestra Vilnius, David Geringas | A Major | 0 | 11B | 93 BPM | ||
| Fortress | Matt Uelman, Diablo, Blizzard Entertainment | B Minor | 4 | 10A | 78 BPM | ||
| Piano Trio No. 5 in D Major, Op. 70, No. 1, "Ghost": II. Largo assai ed espressivo | Ludwig van Beethoven, Xyrion Trio | D Minor | 0 | 7A | 84 BPM | ||
| Clearing, Dawn, Dance | Judd Greenstein, yMusic | E♭ Major | 1 | 5B | 90 BPM | ||
| Dangerous Journeys: II. Among the Ruins the Nightingale Sings | Mark Edwards Wilson, London Symphony Orchestra, Benjamin Marquis Gilmore, Robert Ziegler | A Minor | 1 | 8A | 120 BPM | ||
| Lamentate: Fragile e conciliante | Arvo Pärt, Ralph van Raat, Netherlands Radio Chamber Philharmonic, Joann Falletta | D♭ Major | 0 | 3B | 94 BPM | ||
| Ravel: String Quartet, M. 35: II. Assez vif - Très rythmé | Maurice Ravel, Quatuor Ébène | F Major | 0 | 7B | 144 BPM |