The Audition's ' "Approach The Bench" was released on its scheduled release date, September 20, 2005. The duration of This song is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Approach The Bench's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 10 in Controversy Loves Company by The Audition. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Approach The Bench is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Approach The Bench by The Audition is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sing To Me | Before Their Eyes | D♭ Minor | 9 | 12A | 177 BPM | ||
| The Point | Hidden In Plain View | A Major | 8 | 11B | 176 BPM | ||
| Home Is Where the Heart Is | A Change of Pace | C Major | 9 | 8B | 168 BPM | ||
| Los Angeles | The Audition | B Major | 8 | 1B | 145 BPM | ||
| You Can't Stop | Spitalfield | E♭ Major | 9 | 5B | 180 BPM | ||
| Patrick | June | D♭ Major | 10 | 3B | 160 BPM | ||
| Garden Statement | Hidden In Plain View | D Major | 9 | 10B | 165 BPM | ||
| Audrey, Start The Revolution! | Anberlin | F Major | 7 | 7B | 172 BPM | ||
| Honesty | Attack! Attack! | B Minor | 10 | 10A | 156 BPM | ||
| Let It Go | Lorene Drive | D♭ Minor | 9 | 12A | 161 BPM | ||
| Planning a Prison Break | The Receiving End Of Sirens | A♭ Major | 9 | 4B | 91 BPM | ||
| First One On The Blog | Farewell | B♭ Major | 10 | 6B | 95 BPM | ||
| Somewhere On Fullerton | Allister | A♭ Major | 9 | 4B | 194 BPM | ||
| this will be the death of us | Set Your Goals | B♭ Minor | 10 | 3A | 190 BPM | ||
| Loud And Clear | The Sleeping | A♭ Minor | 9 | 1A | 167 BPM | ||
| Remember To Feel Real | Armor For Sleep | E Minor | 9 | 9A | 164 BPM | ||
| Everything We Were Has Become What We Are | Amber Pacific | F♯ Major | 10 | 2B | 110 BPM | ||
| Break It Out | The Rocket Summer | D♭ Minor | 10 | 12A | 120 BPM | ||
| Exit, Emergency | Houston Calls | A♭ Major | 9 | 4B | 167 BPM | ||
| summer jam | Set Your Goals | A♭ Major | 10 | 4B | 198 BPM | ||
| I Loved The Way She Said L.A. | Spitalfield | C Major | 9 | 8B | 179 BPM | ||
| Sydney | Halifax | E♭ Minor | 10 | 2A | 102 BPM | ||
| High Rise | Houston Calls | D Major | 9 | 10B | 99 BPM | ||
| Lawnmower | City Lights | A♭ Major | 10 | 4B | 115 BPM | ||
| Death Do Us Part | A Change of Pace | A Major | 9 | 11B | 126 BPM |