"Chopin: Piano Concerto No. 1 in E Minor, Op. 11: III. Rondo. Vivace, Pt. 3" by Frédéric Chopin, Martha Argerich, Charles Dutoit, Orchestre Symphonique de Montréal had its release date on November 16, 2024. With This song being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 16 out of 71 in Chopin, Haydn, Mozart, Beethoven, Schubert, Brahms by Martha Argerich, Franz Schubert, Frédéric Chopin, Johannes Brahms, Joseph Haydn, Ludwig van Beethoven, Wolfgang Amadeus Mozart. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Chopin: Piano Concerto No. 1 in E Minor, Op. 11: III. Rondo. Vivace, Pt. 3 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Chopin: Piano Concerto No. 1 in E Minor, Op. 11: III. Rondo. Vivace, Pt. 3 by Frédéric Chopin, Martha Argerich, Charles Dutoit, Orchestre Symphonique de Montréal is Lento (slowly), since this song has a tempo of 60 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Prokofiev: Piano Sonata No. 6 in A Major, Op. 82: II. Allegretto | Sergei Prokofiev, Nikolai Lugansky | F Major | 0 | 7B | 90 BPM | ||
| La toupie from "Jeux d'enfants" (Arr. Garban for Solo Piano) | Georges Bizet, Lívia Rév | E Major | 1 | 12B | 84 BPM | ||
| Piano Sonata No. 19 in C minor, D.958: IV. Allegro | Franz Schubert, Daniel Barenboim | B♭ Major | 0 | 6B | 115 BPM | ||
| 6 Klaviertstücke: No. 3 in A Major. Andante, MWV U 3 | Felix Mendelssohn, Roberto Prosseda | D Major | 0 | 10B | 73 BPM | ||
| パガニーニの主題による狂詩曲 第17変奏 | Sergei Rachmaninoff, Kyohei Sorita, Andrea Battistoni, Tokyo Philharmonic Orchestra | F Major | 3 | 7B | 76 BPM | ||
| Pale Gold | Adrien Vallombre | B♭ Major | 3 | 6B | 122 BPM | ||
| 12 Etudes, Op. 25: No. 7 in C-Sharp Minor "Cello" | Frédéric Chopin, Mikhail Pletnev | D♭ Minor | 0 | 12A | 131 BPM | ||
| 交響曲第3番ヘ長調作品90 第1楽章:アレグロ・コン・ブリオ | ベルリン フィルハーモニー管弦楽団 | C Major | 3 | 8B | 120 BPM | ||
| Lyric Pieces Book 7, Op. 62: No. 1, Sylph | Edvard Grieg, Stephen Hough | E Minor | 0 | 9A | 140 BPM | ||
| Aber heidschibumbeidschi | Traditional, Martin Stadtfeld | C Major | 1 | 8B | 108 BPM | ||
| Beethoven Piano Sonata No. 24 Op. 78 II Allegro Vivace | Valentina Lisitsa | G Minor | 0 | 6A | 66 BPM | ||
| Concerto For 2 Pianos And Orchestra In D Minor: 1. Allegro ma non troppo - Live | Francis Poulenc, Martha Argerich, Alexander Gurning, Orchestra della Svizzera Italiana, Erasmo Capilla | B Major | 4 | 1B | 119 BPM | ||
| 6 Favoritwalzer: No. 4, J. 146 | Carl Maria von Weber, Michael Endres | E♭ Minor | 0 | 2A | 107 BPM | ||
| 18 Pieces, Op. 72: XVII. Passé lointain - Excerpt | Pyotr Ilyich Tchaikovsky, Angela Brownridge | G Major | 1 | 9B | 71 BPM | ||
| Bagatelle sans tonalité, S. 216a | Franz Liszt, Stephen Hough | B Major | 1 | 1B | 133 BPM | ||
| Lied ohne Worte Op.62-6 "Fruhlingslied" | Felix Mendelssohn, Kazune Shimizu | E Major | 0 | 12B | 102 BPM | ||
| ブルクミュラー25の練習曲: 22. バルカロール (舟歌) | Burgmuller, 神野明 | C Major | 2 | 8B | 134 BPM | ||
| 4 Sketches, Op. 4, JB 1:66: No. 3 in A-Flat Major, Souvenir. Andante | Bedřich Smetana, Jitka Čechová | A♭ Major | 0 | 4B | 81 BPM | ||
| Liszt: Études d'exécution transcendante, S. 139: No. 12, Chasse-neige | Franz Liszt, György Cziffra | B♭ Minor | 3 | 3A | 91 BPM | ||
| 8 Nocturnes romantiques de différents caractères, Op. 604: No. 3, La persuasion | Carl Czerny, Roberte Mamou | E Major | 1 | 12B | 137 BPM | ||
| No. 4, Poco andante in F Major | Antonín Dvořák, Stefan Veselka | E Major | 1 | 12B | 122 BPM | ||
| Piano Concerto No. 1: III. Allegro non troppo | Vittorio Rieti, Alessandro Marangoni, Orchestra Sinfonica Di Milano, Giuseppe Grazioli | C Major | 3 | 8B | 131 BPM | ||
| ピアノ協奏曲 第1番 ホ短調 作品11 第3楽章 | Kai Ichinose, ヤツェク・カスプシク, ワルシャワ国立フィルハーモニー管弦楽団 | E Major | 2 | 12B | 118 BPM | ||
| Piano Sonata No. 7 in E flat, D. 568: I. Allegro moderato | Franz Schubert, Daniel Barenboim | G Major | 2 | 9B | 158 BPM | ||
| Lyric Pieces Book 3, Op. 43: No. 1, Butterfly | Edvard Grieg, Stephen Hough | B♭ Major | 0 | 6B | 58 BPM |