"Cloches - Un gran tipo Gastòn (La Bella y la Bestia)" by Silvina Rouco had its release date on June 13, 2009. With This song being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Silvina Rouco's "Música De Cine Para Ballet 2" album is number 7 out of 32. On top of that, Argentina appears to be the country where this track was created. Cloches - Un gran tipo Gastòn (La Bella y la Bestia) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cloches - Un gran tipo Gastòn (La Bella y la Bestia) by Silvina Rouco to be Larghetto (rather broadly) because the track has a tempo of 64 BPM, a half-time of 32BPM, and a double-time of 128 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Battement Tendu 2/4 (Hungarian Dance n°7) | The Ballet Pianist | F Major | 2 | 7B | 105 BPM | ||
| Allegro II-Jetés, Assemblés: Center Floor Technique | David Howard, Joe Cross | E♭ Major | 3 | 5B | 109 BPM | ||
| Rond de jambe a terre - Die Fledermaus Overture | Ballet pianist Mia | D Major | 5 | 10B | 138 BPM | ||
| Warm up in E-Flat Major | Konstantin Mortensen | G Major | 2 | 9B | 85 BPM | ||
| Estiramiento (Memory) | Silvina Rouco | C Major | 1 | 8B | 110 BPM | ||
| Slow Tendu Spring Fantasy | David Howard, Douglas Corbin | E♭ Major | 1 | 5B | 108 BPM | ||
| Pas Suivi Pointe. Metre 6/8 | Vadim Proshich, MetodoVadim | E♭ Major | 2 | 5B | 59 BPM | ||
| Pas Échappée Pointe. Metre 4/4. | Vadim Proshich, MetodoVadim | E♭ Major | 1 | 5B | 89 BPM | ||
| Degage 5th: Barre Technique | David Howard, Alla Reznik | A Major | 3 | 11B | 82 BPM | ||
| Battements tendus Ⅱ (이현정) | S. Joplin, 이현정 | A Major | 3 | 11B | 121 BPM | ||
| Pirouettes - 3/4 | Venti Petrov, Ferdy Tumakaka | D Major | 2 | 10B | 151 BPM | ||
| Adage 1 in B-Flat Major | Konstantin Mortensen | B♭ Major | 1 | 6B | 145 BPM | ||
| Warming up | 정아름 | A♭ Major | 1 | 4B | 95 BPM | ||
| Tendu 2 (4/4) [Slow Jazzy] | Marina Surgan | E Minor | 2 | 9A | 105 BPM | ||
| Rond De Jambe & Port De Bras (3/4) | Marina Surgan | D Major | 4 | 10B | 88 BPM | ||
| Pas Assemblé Soutenu Pointe. Metre 2/4. | Vadim Proshich, MetodoVadim | E♭ Major | 0 | 5B | 116 BPM | ||
| Tendu 1 (4/4) | Marina Surgan | C Major | 3 | 8B | 131 BPM | ||
| Adagio | Adrienne Ramm | D Major | 2 | 10B | 110 BPM | ||
| Ama Et Odora | Tom Adorno | G Major | 4 | 9B | 119 BPM | ||
| Tendu in 5th 4-4 | Venti Petrov | G Major | 1 | 9B | 79 BPM | ||
| Cowabunga | Lechon Boholano | A Major | 0 | 11B | 112 BPM | ||
| Waltz II (R. Drigo "Talisman") | Youngsin Sarah Choi | C Major | 0 | 8B | 135 BPM | ||
| Piano Quartet Op.47-3 (Adage4) | Miwa Hoshi | C Major | 3 | 8B | 102 BPM | ||
| Pliés 1: Feed The Birds | Ian Howells Music | C Major | 1 | 8B | 115 BPM | ||
| Warm up in C- Major | Konstantin Mortensen | E♭ Major | 1 | 5B | 78 BPM |