"Gideon, Pt. 3: Air. Let the Trumpet's Sound Inviting" by George Frideric Handel, David Cordier, Barbara Hannigan, Stephan MacLeod, Linda Perillo, Knut Schoch, Nicola Wemyss, Junge Kantorei, Barockorchester Frankfurt, Joachim Carlos Martini had its release date on June 7, 2004. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in George Frideric Handel, David Cordier, Barockorchester Frankfurt, Barbara Hannigan, Junge Kantorei, Stephan MacLeod, Joachim Carlos Martini, Linda Perillo, Knut Schoch, Nicola Wemyss's "Handel: Gideon (Compiled and Arr. by J. C. Smith)" album is number 22 out of 73. On top of that, Hong Kong appears to be the country where this track was created. Gideon, Pt. 3: Air. Let the Trumpet's Sound Inviting is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gideon, Pt. 3: Air. Let the Trumpet's Sound Inviting by George Frideric Handel, David Cordier, Barbara Hannigan, Stephan MacLeod, Linda Perillo, Knut Schoch, Nicola Wemyss, Junge Kantorei, Barockorchester Frankfurt, Joachim Carlos Martini to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
| Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
| Symphony No. 92 "Oxford" | Joseph Haydn, English Sinfonia, Sir Charles Groves | G Major | 2 | 9B | 77 BPM | ||
| Miserere, ZWV 57: III. Gloria Patri I | Jan Dismas Zelenka, Accademia Barocca Lucernensis, Gunhild Alsvik, Javier Ulises Illán | A Major | 1 | 11B | 69 BPM | ||
| La Cenerentola / Act 1: "No, no, no non v'è" | Gioachino Rossini, Fernanda Costa, Gloria Banditelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | B♭ Major | 3 | 6B | 82 BPM | ||
| Overture (Suite) In C Major, TWV 55: C6: I. Ouverture: Grave. Allegro. Grave | Cologne Chamber Orchestra, Georg Philipp Telemann | G Major | 3 | 9B | 116 BPM | ||
| Torelli: Trumpet Concerto in D Major, G. 28 "Estienne Roger": I. Allegro | Alison Balsom | D Major | 3 | 10B | 102 BPM | ||
| Ottone, re di Germania, HWV 15: Overture: I. Maestoso | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | E♭ Major | 1 | 5B | 78 BPM | ||
| Concerto 5 in A Minor, Op. 7: I. Vivace | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | D♭ Minor | 2 | 12A | 124 BPM | ||
| Dido and Aeneas / Act 1: "See, your Royal Guest...If not for mine...To the hills and the vales...The Triumphing Dance | Henry Purcell, Marie McLaughlin, Jessye Norman, Thomas Allen, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard | C Major | 1 | 8B | 128 BPM | ||
| Concerto Grosso In F Major, Op. 6, No. 2: I. Vivace - Allegro - Adagio - Vivace - Allegro - Largo Andante | Arcangelo Corelli, Quido Holbling, Ludovit Kanta, Anna Holbling, Daniela Ruso, Capella Istropolitana | F Major | 2 | 7B | 131 BPM | ||
| Overture (Suite) In G Minor, TWV 55: G4: VII. Menuet I - II | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 0 | 6A | 107 BPM | ||
| The Masque Of Hymen: The Last Act - Solo (Cupid): The Joys Of Wedlock | The Scholars Baroque Ensemble, Henry Purcell | F♯ Minor | 0 | 11A | 169 BPM | ||
| Israel in Egypt, HWV 54, Pt. III, "Moses' Song": No. 18, Solo and Chorus. Sing Ye to the Lord | George Frideric Handel, Myriam Leblanc, Lucie Niquet, Le Concert Spirituel, Herve Niquet | B Major | 3 | 1B | 110 BPM | ||
| Le nozze di Figaro, K.492 - Original version, Vienna 1786 - Act 4: Le Nozze di Figaro, K. 492 - "Contessa, perdona...Ah tutti contenti" | Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Ambrosian Opera Chorus, Lucia Popp, Barbara Hendricks, José van Dam, Agnes Baltsa, Felicity Palmer, Aldo Baldin, Neil Jenkins, Robert Lloyd, Donald Maxwell, Cathryn Pope, Catherine Denley, John | C Major | 3 | 8B | 125 BPM | ||
| Concerto a cinque No. 2, Op. 9: I. Allegro e no presto | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Minor | 3 | 12A | 169 BPM | ||
| Siface: Come Nave in mezzo all'onde | Nicola Porpora, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | E Major | 4 | 12B | 140 BPM | ||
| Stabat Mater: 11. Inflammatus | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | B♭ Major | 1 | 6B | 78 BPM | ||
| Concerto Grosso In D Major, Op. 6, No. 4 : IV. Allegro - Allegro | Arcangelo Corelli, Ludovit Kanta, Daniela Ruso, Quido Holbling, Anna Holbling, Capella Istropolitana | D Major | 2 | 10B | 72 BPM | ||
| Concerto Grosso in E Minor, Op. 6 No. 3, HWV 321: IV. Polonaise | George Frideric Handel, Academy of Ancient Music, Andrew Manze | F♯ Major | 1 | 2B | 98 BPM | ||
| Le Bourgeois Gentilhomme (1670): Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 1 | 2B | 81 BPM | ||
| Bach, JS: Brandenburg Concerto No. 2 in F Major, BWV 1047: I. — | Johann Sebastian Bach, Mark Bennett, Rachel Beckett, Paul Goodwin, Monica Huggett, Orchestra of the Age of Enlightenment | E Major | 3 | 12B | 97 BPM | ||
| Stabat Mater, P. 77: II. Cujus animam | Giovanni Battista Pergolesi, Margaret Marshall, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | A♭ Major | 1 | 4B | 105 BPM | ||
| Symphony in E-Flat Major, Op. 11, No. 3: I. Allegro assai | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | B♭ Major | 2 | 6B | 154 BPM | ||
| La Nuit Ballet: Le Roi représentant le soleils levant | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 1 | 11A | 111 BPM |